La Caseta Magica (the Phantom Tollbooth)

ISBN: 0613858581
ISBN 13: 9780613858588
By: Norton Juster

Check Price Now

Genres

Children Children's Childrens Classics Currently Reading Fantasy Favorites Fiction To Read Young Adult

About this book

Milo mopes in black ink sketches, until he assembles a tollbooth and drives through. He jumps to the island of Conclusions. But brothers King Azaz of Dictionopolis and the Mathemagician of Digitopolis war over words and numbers. Joined by ticking watchdog Tock and adult-size Humbug, Milo rescues the Princesses of Rhyme and Reason, and learns to enjoy life.

Reader's Thoughts

Darren

This book deserves all the praise it gets… and then some. I added The Phantom Tollbooth to my shelf (thanks to some great recommendations from the Goodreads community) thinking that it'd be a great story to read to my son (now 11 months old). But first, I figured I should probably read it myself in order to see what all the hype is about. I can't count how many times I had to read passages - and even entire chapters - out loud in order to appreciate the rhythm of the language Juster uses. It's outstanding… similar to what Dr. Seuss does (significantly advanced for novel length/readers) but with an entire plot arc. The clever use of character and turns of phrase - one in particular was the description of the demons chasing Milo at the end of the book - is woven throughout the fabric of the story. AND what's more, it takes a rather universal theme and puts an uplifting spin on it.What a ride! Now… my son just needs to get older, quicker, so I can read the whole thing aloud to him :)

Lisa Vegan

My mother got this for us when I was 8 and it was first published in 1961. I still own that original edtion and it is not in great shape due to multiple readings. This is as much an adult as a children's book. Although I loved the story right away, it was more meaningful as I got older and I understood all the plays on words and deeper messages. Still worth rereading every decade or so as an adult, and it remains one of my favorite books. It's a very witty book. I'm a sucker for maps, however basic, and there is a map (of the pretend world written about) in the inside covers of the book. A very good fantasy with a very real heart.

Everett Hanson

This is my favourite book that I have read so far. When I start reading, I just could not stop. One of my favourite parts is how creative the author is with the world Milo is in. My favourite character is Tock the watchdog; I like how he has a real clock mounted onto him. Another great thing about this book is that with a different type of world come perfect places to make hilarious jokes. For an example, the Mathmagician (the king of Digitopolis, the kingdom of numbers) got mad and started adding up anger and multiplying wrath.

CKE387

The adventure of Milo and Tock, who is a watchdog - literally! Great play on words, makes you think about the word you use and how they're used. Loved the drawings by Jules Feiffer, too!Some of my favorite quotes:"Expectations is the place you must always go to before you get to where yoy're going" - Whether Man"The Doldrums are where nothing ever happens and nothing ever changes." - the Lethargarians"You weren't thinking and you weren't paying attention either. People who don't pay attention often get stuck in the Doldrums." - the Lethargarians"Killing Time!" roared the dog, so furiously that his alarm went off. "It's bad enough wasting time without killing it.""Help you! You must help yourself." the dog replied."History is full of humbugs." - Humbug"A slavish concern for the compostion of words is the sign of a bankrupt intellect," roared the Humbug, waving his cane furiously."Brevity Is the Soul of Wit" - Official Which "An Ill-chosen Word Is the Fool's Messenger" "Silence is Golden""Things which are equally bad are also equally good. Try to look at the bright side of things." - Humbug"I didn't know that I was going to have to eat my words" objected Milo."Of course, of course, everyone here does," the king AZAZ the unabridges grunted. "You should have made a tastier speech.""There's nothing to it," said the Mathemagician "if you have a magic staff.""But it's only a big pencil," the Humbug objected, tapping at it with his cane."True enough," agreed the Mathemagician,"but once you learn to use it, there's no end to what you can do.""But why do only unimportant things?" asked Milo, who suddenly remembered how much time he spent each day doing them."Think of all the trouble it saves," the man explained, and his face looked as if he'd be grinning an evil grin - if he could grin at all, "If you only do the easy and useless jobs, you'll never have to worry about the important ones which are so difficult. You just won't have the time. For there's always something to do to keep you from what you really should be doing, and if it weren't for that dreadful magic staff, you'd never know how much time you were wasting." - Terrible Trivium, demon of petty tasks and worthless jobs, ogre of wasted effort, and monster of habit.Very imagnative read! The book felt like it was Dr. Seuss for tweens, young adult or just the young at heart!

Katie

I wasn't as impressed with this book as many of my friends. Perhaps that is because of my high expectations for the book or perhaps because of my preferences in writing style. So those who love this book can use one of those two reasons to blow off my review. However, the fact remains that I was not very interested from page to page, and if not for a commitment to a book group, I am afraid I would not have had any desire to finish it.In style the book seems to be written for a particular age group ranging from 8-11, depending on the vocabulary and maturity of the reader. And, for the preteen sense of humor, the wordplay was appropriate and would be quite funny to the intended audience. However, the wordplay was really the only interesting aspect to the book, and I'm tempted to say as much for the joke books my niece reads to me. The plot was simple and was secondary to both the wordplay and the multiple morals of the story. In fact, a new moral was introduced with every chapter (some chapters containing more than one moral), and each chapter was only a few short pages long. This was the main drawback to the book. Not to say that morals aren't important in a work, but too many morals are detracting. Introducing, then immediately leaving a moral behind decreases the likeliness that it will be remembered once the book is finished. My other main problem with the book was the lack of description to help the reader enjoy the fantastical and quite creative world Juster introduces. Here one moment, and there the next, the reader is left wondering...How did Milo find his car again (he was lost only a moment ago)? Where are they? What do they see? This book, whose main moral is to teach a child to notice the world around them, simply forgot to take a look around. (The spectacular scene with Chroma and his orchestra being the exception.)Overall, an interesting book, leaps and bounds above the other children's literature of Juster's contemporaries, but not my favorite.

Snorkle

Milo is bored with living, he rushes to get places but once he is there he wonders why he even bothered. He can't seem to help that he finds everything so droll. That changes when he finds a mysterious tollbooth kit and decides that since he has nothing better to do he will build it, and that is when the real adventure begins.From the very first sentence of this book I was hooked. I knew that this was exactly the sort of book that I would enjoy and I absolutely loved all the phrases and sayings that when taken literally cause hysterics in the reader. I had been seeing this book everywhere lately, it was referenced in books, recommended to me by friends and finally I got the hint and checked it out from the library. What I was expecting was remarkably different from what I read, but it was oh-so-much-better. Every page had a little piece of wit that if you weren't carefully watching out for, you'd miss entirely. The Phantom Tollbooth was a book that taught you why things were important all the while cleverly hiding them in a seemingly harmless story tale. This was the sort of book that when reading you would burst out laughing and have an urge to find someone, anyone so that you could read them the clever little line that was so spectacular. The Phantom Tollbooth is a supremely awesome book, far superior to a lot of the rubbish they publish nowadays.*Taken from my book reviews blog: http://reviewsatmse.blogspot.com/2008...

Sean DeLauder

Main character Milo is an unfortunate child weighed down by the burden of a tedious existence, flitting reluctantly from one state of ennui to another, which says something about himself. To wit, in the words of Harvey Danger, "If you're bored, then you're boring." So it's unlikely he would have a safety net of friends who might help him out of this state, and parents seem largely absent.Where a contemporary cure for the unfortunate Milo would probably involve expensive medication prescribed by the expensive psychiatrist receiving gratifying kickbacks for the medication prescribed, Milo is miraculously blessed instead by the fantastic. And thank goodness, because the likelihood of the former solving anything (for Milo, anyway) seems doubtful.And herein lies the wonderment of children's literature--the ability to escape to a place where they can heal themselves of the injuries they receive in reality and patch up the holes in their hearts from errant arrows. Childhood isn't so far removed that I can't remember the sense of safety that came from escaping into a fantasy world where the resolution to problems came with the turn of a page. This book is not only for Milo, it's also for the children suffering in the same fashion as Milo.Literature that can hide something profound within a shell of simplicity always gets my approval. Children's literature is predisposed to this possibility based solely upon its audience. But a smart author like Juster knows a clever work can succeed on multiple levels, pretending to be a work directed solely at children while having a pertinent message they can take with them to adulthood, and The Phantom Tollbooth does so by giving meaning to the innumerable cliches and patterns of behavior that make up our world, and shining a light on their absurdity and the ridiculous caricature one becomes when they exist for a singular purpose or belief. By pointing out the ridiculousness of a world built out of cliches, turns of phrase turned literal, and puns come to life, one ought to see how silly it is to view the world from a singular perspective or as one that exists in black and white, right and wrong, and all the other false dichotomies zealots and equally ignorant people believe in, as well as the problems it creates. Notably, the absence of Rhyme and Reason.All the myriad dullnesses of the educational process that bore Milo in reality are brought to fascinating life in a fantasy world that invigorates him and rekindles his curiosity--the very spark of life.Milo takes the transition from reality to fantasy very much in stride and with characteristic glumness, and we get a glimpse of just how far he has fallen from engaging in the world. Gladly, Milo regains his sense of wonder in starts and spurts, until it has been completely restored. This is, to my mind, a fabulous recovery, and a resurrection in its own right worthy of praise and relief. There is nothing more depressing than a child lost to depression, and few things more gratifying than seeing a sense of purpose restored.The story is rife with puns (though, as stated, not without purpose), something acceptable for younger audiences but something I find appalling and corny, but the story itself is compelling and never sits still long enough for the reader to become bored, maintaining a continuous train of thought despite its restlessness. In this, the story has an advantage over me.Despite never having read this as a child, even though I should have, I feel confident in assuming I would have liked it then, probably more than I do now. As it stands, I feel obliged to deduct 0.01 stars for each year I am removed from childhood, which, ultimately and as designed, shouldn't have any sort of effect for a good long time.If you're looking for an equally good feeling story of redemption and self improvement, but in a much shorter form, I strongly suggest Juster's The Dot and the Line.

David

Reading "grown-up" literature is excavating the human soul, the adult soul: a mangled mess of contradictions and self-deceptions, screwy motives and the odd self-adherent logic of artistic creation. But Literature (capital ell) is a pyrrhic battle between message and evasion: one must avoid moralizing outright, must avoid overt allegory, but must never be too subtle, too veiled, lest you be resigned to snobby undergrabs and many rubbish bins. The Phantom Tollbooth is a strange beast: decidedly accessible to children, but remains lovable to adults. It's championing of the struggle against moral short-cuts, boredom, and mental waste is timeless, ageless, and remains prescient, even to me: a grown person 52 years after it's publication!My grandmother has always said: "only boring people get bored" - I am guilty of sometimes serving this packaged wit cold when a friend laments "I'm bored!" but I think forcefully throwing this book at them would be a better remedy. What is signifed in my grandmother's aphorism is that interested people are interesting, and more importantly are never idle. My family (paternal side) is a hard-working, conservative, New Englander family: we don't watch much television, we read lots of books, we listen to NPR and read the Wall Street Journal, we somewhat self-indulgently talk about the cultural decline in literacy and how we are not a part of it. But the story of Milo is one which is both entertaining, lovable, but also cautionary. By no means is Milo a bad child, a dull idler, but rather he has not found passion yet. He is bored because his urban living, his deadening routine has stayed access to the bliss of potentiality. The only thing you can do easily is be wrong, and that's hardly worth the effort. We are plagued, as a modern, urban society by the two-headed monster of routine. Routine comforts us, it gives us an escape into the dull and Terrible Trivium: the small tasks which comfort us and distract us from important, difficult work and choices. Our society is filled with spineless and indecisive people (the Gelatinous Giant) and those who feed us half-truths, who coddle us into a mire, into a trap (Monster of Insincerity): they are not villains, and these flaws do not define all people, but are characteristic in turn. Our weaknesses, our daemons, are our horrible defenses, our cozy citadels in the mountains of Ignorance. It is not the absence of bad habits (hours of dull television, bad reading or no reading) that marks an individual's decline, but rather the presence, the support, of our defenses. The demons of the mountains of Ignorance are impotent without our compliance, they feed on our weakness for what is easy. If we allow the glittering sovereigns of Rhyme and Reason to go fugitive in their empyrean prison, we lose our grip on true happiness, we become boring, we become easily bored. Thankfully, there is nothing boring in The Phantom Tollbooth: its play with language is unrivaled certainly in children/young-adult literature, and rivals even the masters of play (Joyce, Nabokov, etc) in the grander schema. With a dual reverence for words and numbers, rhyme and reason, and a prevailing apotheosis of time, beyond the value of currency: something never to be wasted, Juster champions all forms of mental activity and cerebral play. I can imagine no better way to introduce a bored student, particularly one ahead of his class, to the ever-infinite vistas of imagination and invention than to hand him or her this book. “It has been a long trip," said Milo, climbing onto the couch where the princesses sat; "but we would have been here much sooner if I hadn't made so many mistakes. I'm afraid it's all my fault.""You must never feel badly about making mistakes," explained Reason quietly, "as long as you take the trouble to learn from them. For you often learn more by being wrong for the right reasons than you do by being right for the wrong reasons.”

Addie

I've never read a more quotable children's book. Brimming with wisdom and wordplay, my paperback copy is absolutely filled with underlined sentences and dog-eared pages. What more could anyone want from a story?(I've "read" this book many times, but never front-to-back, all the way through, until now. Not even in sixth grade when I was introduced to this book for a class assignment. All I remembered until I bought the book years ago was Milo getting lost in The Doldrums, Tock the Watchdog who went Tick, and Alec Bings suspended in midair and growing downwards instead of upwards.)

Kaitlin

I've read this book many times, starting when I was about nine years old, and never have I been disappointed by it. It's a great story of a young boy, Milo, who just can't get excited about anything in life. One day, Milo embarks on an adventure by driving through a mysterious phantom toolboth that arrives for him through the mail. Through his journey, he learns the importance of thought and learning as he tries to rescue Princesses Rhyme and Reason and restore them to their throne (don't you love the word play?).

Emily

This book is: Fantastic! Marvelous! Fabulous! Stupendous! Incredible! Thus would be the reaction of the cabinet of King Azaz the Unabridged of the Kingdom of Dictionopolis. In The Phantom Tollbooth, we find the meaning of such statements as “It goes without saying”, and “Half-baked ideas”. We learn what might be the best kind of sentence you can get from a police officer. We are taught the rules of The Doldrums: one being that you’re only allowed to smile slightly every other Thursday. And perhaps most importantly, we find out that you really do have to eat your words—so be careful what you say! The characters are fantastic! There’s a ‘Watch’ Dog, a ‘Which’, ‘Lethargians’, a Senses Taker, and many more! Milo, our ‘hero’, takes a ride through this strange land and tries to save Rhyme and Reason (did you know they were people?) from the Castle in the Air (don’t we all have one of those?). Fun for all ages, although you may not want to read this at bedtime, as I did, as it made us giggle more than yawn! From 2010:Josh is actually reading this one to himself right now, but I thought I'd add it anyway... Maybe I'll even put his review up! :)Josh's Review:You SHOULD read this one! It has all kinds of situations, like when the main character got a little gift. It was called The Phantom Tollbooth. It was magic and could take you to countries you would never know about!

Lstirl

The Phantom Tollbooth by Norton JusterAges 8-12A classic fantasy that will keep any child from becoming “lost in the doldrums.”Young , ever- bored Milo, upon finding a child sized tollbooth in his room one day after school, sets out on a surreal adventure into another dimension. Full of puns and double speak, this journey into the imagination is both charming and entertaining. Along the way, he meets such interesting characters as the “Which,” Half-Boy, The Whether Man, and the Mathemagician. I had read this book as a child, and remember loving it, but a second time through as an adult, I had a whole new appreciation for the cleverness and wit of the language play. The characters are original, and Milo, as a protagonist is oddly appealing. A true classic in the children’s fantasy genre, this book holds broad appeal, much in the way of Roald Dahl. The imaginative dialogue and inventive descriptions bring the story to life and make me wish there were a sequel. Silliness, humor and delightful nonsense fill each chapter, but there remains an undertone of seriousness as we realize there is more going in this story than what meets the eye. A treat for the imagination.From the PublisherIllustrated in black-and-white. This ingenious fantasy centers around Milo, a bored ten-year-old who comes home to find a large toy tollbooth sitting in his room. Joining forces with a watchdog named Tock, Milo drives through the tollbooth's gates and begins a memorable journey. He meets such characters as the foolish, yet lovable Humbug, the Mathemagician, and the not-so-wicked "Which," Faintly Macabre, who gives Milo the "impossible" mission of returning two princesses to the Kingdom of Wisdom. This is more a description than a review.Children's LiteratureHero Milo "didn't know what to do with himself-not just sometimes, but always." One day he returns from school to find an easy to assemble tollbooth and when he drives through it, Milo finds wild adventures in Dictionopolis, the land of words; Digitopolis, the world of numbers, and many locations in between. He is on a quest in this nonsensical land to bring back the Princess of Sweet Rhyme and Pure Reason. The book is filled with wild characters like the Spelling Bee who spells more than he speaks. There are silly word plays like the time Milo makes a speech at dinner and is surprised to find out how he has to eat his words. Life philosophy is mixed with tons of punny, funny humor. He is so changed by his travels that when he returns home he is only momentarily disappointed when the tollbooth disappears. As Milo says, "there's just so much to do right here." A children's classic for parent and child to enjoy together. Yes, this book does teach a lesson on how to cure the doldrums. I like the description here, but it barely touches on the books magical quality.

Christy Stewart

I think this is the only school book I liked.Puberty had just taken effect and so I was tripping my balls off on hormones: "My boobs hurt. There is blood on my panties. I hate everyone. Does that dog have a clock on it?"

Rajat Ubhaykar

After reading this book, I've decided that whosoever drilled it into our heads about puns being the basest form of humour can go screw himself. (no pun intended)

Marie Lu

I don't remember much about this book, except that I loved it to pieces, and that the subtraction stew always made me really hungry.

Share your thoughts

Your email address will not be published. Required fields are marked *