This book was well written, interesting, tasteful, and informative. It seems like the author really did his research. The culture of this book is what interested me the most. The role women played and their place in society. Although this is merely "based on actual events", I kind of took a lot of it as what really went on. I've always thought of a Geisha like a prostitute, not as a companion/entertainer. I never thought about it being a career that they would have had special schools for young girls to attend. I can't imagine being born into that life where from an early age that is what you are destined to do. But culturally, it was so glamorous and it was like wanting to be famous.Coming from her background, I can see why Sayuri would aspire to be a Geisha and feel it was out of reach. She was such a diverse character for me. I loved seeing her grow up and encounter all the human emotions and endure through them. It seemed as though she was a victim of cruelty, jealousy, and misery throughout the book, but in the end beat them all. She was a good person and I respected that she didn't let how people treated her affect who she became.Thomas
People were skeptical when Kathryn Stockett wrote in the voice of two black women in The Help. Arthur Golden took it to another level when he, a white, middle-aged man, narrated as an orphaned Japanese girl on her way to becoming a geisha.It worked, though. Even without knowledge of Golden's extensive experience studying Japanese culture and history, the reader is led to believe that the protagonist is telling the story herself. Memoirs of a Geisha transported me to a different era, where superficiality and beauty were more important traits for a women than practicality and intelligence.I enjoyed the writing style Golden utilized with this book, especially the analogies. Here are two I marked:"For it's one thing to find your secrets suddenly exposed, but when your own foolishness has exposed them... well, if I was prepared to curse anyone, it was myself... A shopkeeper who leaves his window open can hardly be angry at the rainstorm for ruining his wares.""Her skin was waxy-looking, and her features puffy. Or perhaps I was only seeing her that way. A tree may look as beautiful as ever; but when you notice the insects infecting it, and the tips of the branches that are brown from disease, even the trunk seems to lose some of its magnificence."A great read - I am so thankful for my friend who bought me this as a birthday present. Recommended to anyone remotely interested in Japanese culture or the life of a geisha.*cross-posted from my blog, the quiet voice.Erin
oh blargh. you people.this is my re-review of memoirs. a remix review, if you will. review revitalized. memories of "memoirs". ooh that last one was kinda catchy...OKAY. on with things. reviewing and... such.i seem to find this book in the most unusual of places. before i explain aforementioned "oh, blargh. you people", you must know: the first time i discovered this book, i was in a used bookstore in Laos. some of you are well traveled, perhaps you've been. Vientiane. right next to the hungarian bakery in the center square that has a large sign on top featuring a jolly looking fat man whose smile has faded away a bit under the sun. yes? ok then.now, mind you, in this bookstore, there weren't very many books in english that weren't written by someone named "danielle steele". which reminds me, i must look this person up. i see her name everywhere. thousands of abandoned danielle steeles, stacked up in bookstores around the world, it's simply amazing. like a parasitic algae that thrives on dusty bookshelves and healthy, decent novels, suddenly appearing when you least expect it and obviously multiplying until it chokes out good literature. it makes me feel like a gardener every time i visit such a store, plucking shakespeares and silverstiens out of the shadows of the steeles and putting them back in their rightful place in the sun....that was a good one too. i think someone should take note of this. while you're at it, take down the recipe. it's TWO parts jack to ONE part dr. pepper. you may title it: recipe to success. under notes, please help me remember, perhaps a little notation like: "found to bring out the ernest hemingway of book reviewing". ah, goodreads on a saturday night. back to the review.here's what i wrote the last time. warning: it's kind of boring. you have permission to use the time you might have spent reading the next two paragraphs finding more dr. pepper."i read this while traveling through remote parts of southeast asia, so it should speak volumes that i was not distracted from this story in the least. i even rigged my flashlight to a seat during a midnight bus so that i could finish the part with the bidding war. i studied japan a lot in high school, but parts of this world were still knew to me, the details were so many. very good read, very culturally involved."OMG IT'S BORING ME AND I DIDN'T EVEN RE-READ IT, I JUST SKIMMED.This book was freaking awesome. Yeah, you know it was. You know why it's awesome, and you came here to sulk? Yeah, I said sulk. Stop looking at the screen all cross eyed that way. I re-read it the other day. Founda copy for fifty cents at goodwill (buried, i might add, under four multicolored danielle steeles). and after i read it, and came back to goodreads, and read other reviews, i decided it needs to be said:It's awesome because you couldn't stop thinking about it after you had read it. Yeah. A couple years after you read it, in fact. Every so often, perhaps for no reason at all, you got a glimpse of something that reminded you of the different layers of a kimono, or the pickled radish that a certain geisha liked to snack while reading her tabloids. you can't put a finger on it, but stacked in the thousands of memories that make up your soul, you count among the most satisfying the story of a geisha and a chairman. you would never, ever admit it, but you like this book because it has a happy ending. a nice ending. not perfect, like a fairy tale, but nice nonetheless. the geisha herself taught you that there are no perfect, happy endings, but that one can find happiness anyway.and you are angry that a man wrote it.oh blargh, you people. catty little comments like you are seriously pissed that golden put "memoir" in the title. like you didn't read "dear america diaries" and "american girl stories" when you were little and let your imagination pretend these girls like you were real.the reason people write stories is because they have a story to tell. and the best kind of writer is the person who has a story inside them that burns so brightly, and tugs at their soul nightly (OMG i am also rhyming. re-pour, please) that they toil over it, inject their passion and blood and sweat and tears, right into the pages.and golden has that passion. come on. the way the book reads is pure poetry. i thank my lucky stars i had an english teacher in high school who took us through 4 weeks of japanese poetry. how beautiful golden's descriptions. how perfectly crafted his comparisons. how touching and absorbing his characters. how riveting the plot. he clearly did his research, and styled the syntax and even the thought process of his characters as closest he could to the time they existed.he so obviously wanted us to love his geisha the way he did.and you criticize, like you weren't completely wound up in who would receive suyuri's virginity? like you didn't cringe when you discovered what became of pumpkin? like you didn't feel every betrayal and victory in the fantastic little world of the okiya golden created?you are simply angry she isn't real, not a flesh and blood soul who can return your adoration. oh. and--- did i mention this before? it was written by a man. a white dude. who couldn't POSSIBLY know about geisha. here's the thing, you weird feminist people who seem to be so hung up on golden "sashaying about, trying to pass off his novel as a memoir". obviously, if we were out, face to face, i would buy you one of these marvelously delicious concoctions i am sipping and we would duke it out like civilized bookworms. however, we lack a proper venue, so i've gotta say it here, without the benefit of you being slightly marinated (in order to better see my point). what would you rather have? a hundred danielle steeles, pooped out so rapidly they cannot be distinguished even by titles, haunting you at the bottom of every bargain bin in the world....?or the simply marvelously written, carefully crafted (if not, in fact, true) story of a woman (not just a geisha) who happens to be created by a man?that's what i thought. i'll drink to that.midnightfaerie
Memoirs of a Geisha by Arthur Golden was phenomenal. One of my book clubs picked it this month and I just saw the selection and realized I owned it and it was already on my list but didn't think I'd have time to read it in the next two weeks. But just for the heck of it, I picked it up and decided to just read the first chapter to see how I liked it. It took me less than three days to finish it. I absolutely loved this book. It was well written and gave an eloquent and sometime graphic portrayal of the lifestyle of a geisha. It was fascinating to learn about the culture through the eyes of this young girl. The way Golden describes the Japanese world is easy to picture and completely draws you in. You find yourself rooting for this girl as her life hits one roadblock after another. His beautiful descriptions of the setting and clothes is enough of a reason to read this book, but it offers so much more as well. I do think this is classic material. Although published not too long ago I think it has the potential to be around for awhile, therefore falling under the longevity category. I also think it's an original concept. Many books touch upon the culture and classes of the Japanese, but I'm unaware of one that writes about the taboo intimacies of a geisha. If there are, I'd have to read them, but I think this book is original enough to be the leader of that group. I also think it has the magic factor. The descriptions of the era, the dress, and especially the differences in facial features of the characters pull you into the story effortlessly. I highly recommend it and believe it's a classic, if not now, then one in the making. As for the movie, I have mixed opinions. When I first saw it years ago before reading the book, I thought it was lovely and moving. Since I just finished the book I decided to watch it again. Once again, I feel like a movie pales in comparison to the book, lacking in definition and finesse. Yes, it's good for what it is, and the actors they choose to play the parts did exceedingly well, but I found myself dictating constantly to my husband who was watching with me, parts that were never explained. Things like why they spark a flint at a geisha's back before they leave the okiya or why the girls had they hands frozen numb while they practiced the shamisen. To me this was imperative in experiencing the richness that all the culture had to offer. But alas, it's the downfall of a movie representing a book. They can't put everything in so you just have to enjoy it for what it is. That being the case, it was an adequate representation of the book, with talented actors playing the parts well. ClassicsDefined.comMeirav Rath
How honest and true a picture can an American man paint on the world of a geisha? Not much, in my opinion.True, until the second world war starts, the book's a pretty nice window into that hidden world (as much as Golden's resources allowed him to know) but beyond that this book becomes another piece of American romantic kitsch trash as everything the main character ever wanted becomes reality and she moves to the mighty and wonderful America, to the country who flattened two of her nation's cities with atomic bombs. Reading and learning a little about the Japanese on my own, I tend to think she'd have too much pride to do something like that.Written in an OK style, not a work of art that's for sure. I don't recommend this book unless sticky romance novels are your taste.Alena
Golden earns points for creativity, but loses them for inaccuracy.The "memoir" of the elegant Sayuri, whose life as a high-class geisha is disrupted by the outbreak of war, is written in an intriguing and alluring monologue -- purportedly narrated by Sayuri herself to the author -- that pulls the reader in from the very beginning. Unfortunately, the real narrator, Arthur Golden, took some dramatic liberties with history and cultural practices, and the fallacious elements sprinkled throughout detract from a potentially fascinating story. (This may not present a major issue to a reader who has no prior knowledge of Japanese culture, but such a reader should also be warned NOT to take this book as a factual representation of life in Japan.)Additionally, although the narrative starts strong, it loses momentum partway through the story. By the time the inevitable tremors of World War II began to shake the cultural bedrock of Japan, I was already beginning to lose interest in the artificial suspense.Overall, the book is written fairly well, and I can see why some readers would like it... but even while I was reading, I couldn't help feeling that I should have enjoyed it more.Juushika
Memoirs of a Geisha is an American novel, and as such the attempt at West does East, especially on the complex and delicate subject of the geisha, is compelling, interesting, but also heavy-handed and ultimately ineffective (even more so in the case of the film). It is a wonderful introduction to geisha, Japanese culture, and the East for the uninitiated Western reader, and I can see why the book is popular, but I found it disappointing. For the reader already familiar with the culture, western influences are all too clear and the book comes off as a bit clunky and imperfect. I also had some problems with the general perception of the characters by readers versus the way the characters were actually portrayed in the book--Memoirs is far from the good-willed fairy tale that people assume it is. By all means, read it, but leave it open for critique and remember that a more authentic representation of eastern culture, especially in the details, will come from the east itself.A lot of my critique stems from the fact that this movie has attained such wide-spread fame and been made into a movie, to be sure. I feel like it is being perpetuated as something it is not. Even the introduction to the book (a faux translator's note) perpetuates the myth that Memoirs is an accurate, beautiful, in-depth reflection of the life of a geisha, when in truth it is no more that historical fiction and is written by an outsider. Golden has done his research and is well-educated on his subjects, and I have no problem with people reading from, taking interest in, and even learning from this book; I do, however, think it is important that readers don't conflate the American novel with Japanese reality. They aren't the same thing, no matter how much research Golden did, and if we take the book as an accurate representation we're actually underestimating and undervaluing geisha, Japan, and Japanese culture.Because Golden attempts to write from within the geisha culture, as a Japanese woman, he must do more than report the "facts" of that life--he must also pretend to be a part of it. Pretend he does, acting out a role as if he has studied inflection, script, and motivation. He certainly knows what makes writing "Japanese" but his attempt to mimic it is not entirely successful. The emphasis on elements, the independent sentences, the visual details are too prevalent and too obvious, as if Golden is trying to call our attention to them and thus to the Japanese style of the text. He does manage to draw attention, but to me, at least, what I came away with was the sense that Golden was an American trying really hard to sound Japanese--that is, the effect betrayed the attempt and the obvious attempt ruined the sincerity of the novel, for me. I felt like I was being smacked over the head with beauty! wood! water! kimono! haiku! and I felt insulted and disappointed.The problems that I saw in the text were certainly secondary to the purpose of the text: to entertain, to introduce Western readers to Japanese culture, and to sell books (and eventually a film). They may not be obvious to all readers and they aren't so sever that the book isn't worth reading. I just think readers need to keep in mind that what Golden writes is fiction. Historical fiction, yes, but still fiction, therefore we should look for a true representation of Japanese culture within Japanese culture itself and take Memoirs with a grain of salt.I also had problems with the rushed end of the book, the belief that Sayuri is a honest, good, modest, generous person when she really acts for herself and at harm to others throughout much of the book, the perpetuation of Hatsumomo as unjustified and cruel when she has all the reason in the world, and in general the public belief that Memoirs is some sort of fairy tale when in fact it is heavy-handed, biased, and takes a biased or unrelatistic view toward situations, characters, and love. However, all of those complains are secondary, in my view, to the major complain above, and should be come obvious to the reader.Memoirs goes quickly, is compelling, and makes a good read, and I don't want to sound too unreasonably harsh on it. However, I believe the book has a lot of faults that aren't widely acknowledged and I think we as readers need to keep them in mind. This is an imperfect Western book, and while it may be a fun or good book it is not Japanese, authentic, or entirely well done.Heather
I love it when a book I’ve been super excited to read turns out to be a new favorite! That doesn’t seem to happen nearly as often as I’d like, but was definitely the case for me with Memoirs of a Geisha. This was such a beautiful story and I couldn’t help but fall in love with it. It had such a soft, gentle feeling atmosphere, and yet it was also intense, albeit a quiet intensity, if that makes sense. By the halfway point, I had the hardest time tearing myself away from it and would sneak in every spare minute I could to read more. It speaks volumes for a book if I’m able to tune out all the craziness around me (hello…3 and 9 year old boys!) and be totally immersed in it, despite all the background noise. And Memoirs succeeded in doing that! I know next to nothing about Japanese culture, so this was a really new, insightful experience for me. I found that I had some misconceptions about the role of a geisha. That whole world is quite intriguing and I was surprised to learn all that is involved in becoming one. I especially loved reading the descriptions for the exquisite kimono they wear and the process they go through to dress and do their hair and makeup. So much time and effort is poured into their appearance, and the end result is stunning! I loved so many things about this book…the way it was written, the overall feel of the story, and then of course, the story itself. It flowed along so smoothly and beautifully, and carried me right along with it. I enjoyed so much listening to Sayuri tell us her story, and going on that journey with her back through her life. I couldn’t have been happier with how her story played out in the end, and I even read the last part of it through teary eyes. This was a wonderful book, and one that I know I’ll read again someday.Liz Lynch
Like eating fancy dessert at a gourmet restaurant, Memoirs of a Geisha is beautiful, melts lightly off the tongue and will be forgotten shortly after it's done. The language is strikingly lovely, and Golden paints a remarkable picture of a time and place. If you're looking to learn something deep about the psychology of Japanese culture, or meet nuanced characters, then I'd steer you elsewhere. The story only skims the top of the more complicated aspects of a Japan in decline, focusing mostly on a genteel lifestyle that probably seems more appealing from the outside. There's a way in which the book, written by a man and a westerner, is slightly fetishistic, but less so than you might imagine.Another reader suggested that perhaps the superficiality of the story is intentional, and that the book, in a way, resembles a geisha. Beautiful and eager to please, yet too distant to really learn much from and ultimately little more than a beautiful, well-crafted object to be appreciated. If that's the case, Arthur Golden is remarkably clever, and I applaud him. If it's not the case, the book remains very pretty and an easy read.Sara Nelson
fantastic and detailed.Amy
I loved this book until I came to the end. And then I was ambivalent. It has now been some time since I finished it, but I seem to recall feeling as though the ending was a man's notion of how a woman would have wanted the story to end. Not that all men are incapable of writing an ending to a woman's story, but maybe just THIS man is oversimplifying things. I could be way off base (who has read this?? help me out), but after pining away for a man that she had a crush on as a girl--a man that she never REALLY knew and who never REALLY knew her, can it really be a happy ending for her after the last page of the book? On the one hand, after so much trauma, you DO just want Sayuri to be "happy" but I can't help but feel as though Nobu would have been a better path for her. Would that ending get in the way of her pursuing her own destiny?? Reading the memoir of the REAL geisha whom Golden based this book on (Mineko Iwasaki) threw many details of the story in doubt--though it is difficult to say whether Iwasaki is embarrassed by the truth, or whether Golden's version is simply wrong. Either way--fascinating topic.Katie
** spoiler alert ** I've read this book 3 times now and each time I pick it up, I forget how much I disliked reading it the last time. On the surface, the book presents an interesting subject. The life of a geisha is fascinating, especially to a westerner who has little knowledge of Japanese culture. Golden does do a fine job describing the day to day rituals, life and culture of a Kyoto geisha in the 1930's. However, once you get past the exotic subject matter, the plot proves itself to be particularly trite and inane. The Chairman comforts Sayrui when she is very young and distressed; she then falls in love with him after this brief encounter and spends the next 20 years or so of her life attempting to find some way to be with him. Her devotion remains strong, despite the fact that the Chairman never shows any inclination that he cares for her at all or that he even realizes that the talented geisha Sayuri is the little girl that he once gave his handkerchief to. She is an intelligent and resourceful woman, yet she can see no other way to be happy in her life than to be the object of the Chairman's affection. Golden ties up the novel with a neat little bow. After Sayuri has betrayed Nobu - a man who has for years proven that he will respect and care for her - the Chairman confesses that he has always loved Sayuri and that he is the reason why Mameha decided to become Sayuri's older sister. He becomes Sayuri's danna and convinces her to give up the life of a geisha, isolating Sayuri from the only life and people she has ever known. The whole story feels implausible.While Golden attempts to write in a very flowery and elegant style, it comes across as forced and clunky and is ultimately distracting from the story.Denise
** spoiler alert ** Read it in four days, couldn't put it down. I had to keep remembering that it wasn't 100% true. But I think that it was as close as we could have gotten. Mineko - The geisha that Golden interviewed did a great job on educating him on the way of a Geisha according to a lecture he gave. I wasn't as shocked as everyone else seemed to be about the way things were in Japan. Women were not permitted to think or act for themselves. And just like everywhere else, there really wasn't any use for a daughter except to marry her off to a husband with money in hopes of securing future for the daughter's parents and family. There was also a strict code of honor and respect among geishas and the Japanese culture. That is what prevented Sayuri from acting out on Hatsumomo and why she couldn't reveal her feelings nor could the chairman disrespect his friend to be with Sayuri. I admired that about The Chairman and Sayuri, they did what they knew was right and did not follow their feelings. In the end, look where it got them. They were happy, growing old together, probably had a child, she lived peacefully and very well in New York taken care of until the day she died. I wonder what would have happened to Sayuri if she acted out and exchanged Hatsumomo's make-up with rat poison. More than likely, she would have been thrown out of the house and made into a prostitute until she died. In the end, Hatsumomo ended up suffering because she didn't follow the code of honor. Also, fate punished Sayuri for disobeying, when she tried to escape and fell off the roof and I'm sure that had an effect on her future decision makings.I wish that Sayuri was able to reunite with her sister but in a way I'm glad that they didn't and avoided the typical Hollywood ending. Sayuri reminded me a lot of Scout from To Kill a Mockingbird. She had her own way of seeing things but they were always clever and accurate. I loved the part when she says that her the back of her father's head was as old and his face but it was smooth like an egg, not deep set in wrinkles. There's living proof in every bald head of why stress and worry creates wrinkles in the face.Other characters: The Doctor - warped and twisted at least he was useful in help Mameha win the bet against Mother and secured Sayuri place in the house.The Baron - Hated that he hurt Mameha by going after Sayuri - His disrespectfulness got him in the end.The Chairman - A man that believed in honor and respect above all. And he was rewarded for it until his death.Nobu - Despite his rudeness and abruptness, he did care for Sayuri and made sure she was safe. I wish we learned what happened to him in the end but based on the pattern of the story those who lived with honor, died with honor.Mameha - Loved her, she was smart, sweet, strong - she didn't let anyone push her around and her subtleness was just as effective in getting what she wants as any man. Actually it was better because no one realized that they helped her so they never came back to be repaid.Pumpkin - Started out sweet and nice but finally acted out after years of betrayal. She was abused and used by Hatsumomo and the household, lied to about being adopted, forced to prostitution during the war. If Sayuri wasn't so wrapped up in her own issues she might have been able to see past herself and try to help Pumpkin more. Despite Pumpkin's betrayal to Sayuri, I hope she went against the pattern of the book and lived the rest of her years happily. Probably the smartest, after all, up until the end, Sayuri thought that Pumpkin made a mistake in bringing the Chairman to the theater instead of Nobu. Never thought that Pumpkin did it on purpose.http://www.randomhouse.com/vintage/re... - The official site about the bookhttp://www.theherald.org/issues/03089... - Recap of a lecture Arthur Golden gavehttp://www.cnn.com/books/dialogue/990... - Interview with Arthur Golden about the book.Jessica
I can't remember what made me pick up this book -- it must have been that edition's cover, which was highly gorgeous: bright bright white with big red geisha lips. I think part of me wanted to be above this kind of thing, but you know what? I thoroughly enjoyed it. Memoirs of a Geisha was a fairytale in novel form, and completely absorbing even when it got slightly ridiculous. It's one of those chocolate cake kind of books, descriptively rich, demanding your full attention and almost too sweet but ultimately a great, sticky pleasure.I finished it one night in a loud, fetive metal bar, and if that doesn't recommend a story to you, I don't know what would. It was the dead of winter, Lindsey was visiting from California, and we were really going nuts out there in Brooklyn, since we hadn't seen each other in ages. Although we were both enjoying the attention, finally I had to leave Lindsey alone at a table with about six enthusiastic long-haired, thickly-tattooed sweethearts while I crept off to a dim corner and finished the last few chapters of this book. Seriously, Lindsey took a picture of me crouched at a table by myself, where every once in awhile someone in a tight vinyl bondage outfit or gory tee shirt would come up and demand to know what I was reading. Finally I wrapped it up and returned to the socializing, and the rest of the night? Well, that's a story of its own, and not a chocolate cake one.T.J.
Damn if you aren't one of the most problematic things I've ever read, Memoirs of a Geisha.Like much of non-Asian America, I was swept up in the delight of reading this book in 2000. I was fifteen and precocious, and the narrative was arresting. I couldn't put the book down. I wrote this in 2000:"Golden has hit pay dirt with this masterpiece. An insightful, curious, and caring look into the mysterious world of geisha, Arthur Golden peels away the ignorance and labeling that westerners have covered the secretive Japanese profession. Although it sinks at times into a near melodramatic prose, the book's protagonist is interesting, insightful, and enjoyable. Her witty anecdotes and thoughtful mannerisms in speaking make Memoirs of a Geisha a delightful and unstoppable read."Then I got older, went to college and graduate school, and developed a critical, thinking eye.And I'm mad at myself.insightful? Really? God, I was naive. This novel, while entertaining is so problematic I rarely have time to descend into my criticism. It continues the Orientalism that Edward Said loathed so very much; rather than "skillfully entering" the world of a Japanese woman, it apes her identity, and ultimately deprives her of a voice, creating a sort of Orientalist imagination for us to enjoy without ever really seeing her. The book is still engaging as a narrative, but the sappy ending, the frankly sexist portrayals at some points, and Sayuri's outright inability to identify outside of her Chairman is rather frightening. It serves to objectify fetishism at its worst. Yet I can only give you three stars, because I'm still partly under your spell, Golden. Damn.