Of Mice and Men

ISBN: 0142000671
ISBN 13: 9780142000670
By: John Steinbeck

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About this book

The tragic story of the complex bond between two migrant laborers in Central California. They are George Milton and Lennie Small, itinerant ranch hands who dream of one day owning a small farm. George acts as a father figure to Lennie, who is a very large, simple-minded man, calming him and helping to rein in his immense physical strength.

Reader's Thoughts

Nathan

"A guy goes nuts if he ain't got nobody. It don't make no difference who the guy is, long as he's with ya'. I tell ya', a guy gets too lonely, and he gets sick." I first read Of Mice and Men at an age when I was learning to read. Not phonetically, but critically. This novel taught me what good literature could be, and it is one of a handful of novels that I measure all other novels by. As a result, I have turned into someone who can read five to ten nonfiction books in a month but read only one or two fiction books in any given year. This is what good literature should be. The essence of the story - loneliness and man's desperate need for friendship - is a story that never ages, never tires, and only seems trite to those too self-centered to ever realize how lonely they really are. Yes, it is sad and almost dooming in places. But it is also touching, true and timeless. The quote at the start of this review is as potent now as it was then; and its sentiment is timeless enough that it even showed up in 2006 on TV's Lost, word-for-word, as part of banter between two essential characters. "Don't you read?" Ben asked Sawyer. Even on an Island in the middle of nowhere, with others out to kidnap you and magic monsters made of trees and nightmares trying to kill you, reading Of Mice and Men is still important in a functional society.NC

Shayantani Das

“Trouble with mice is you always kill 'em. ” Breathtaking prose, touching characters and a heart breaking ending. Who said only lengthy novel can make an impact?

midnightfaerie

Of Mice and Men by John Steinbeck was not an enjoyable read. I read this again because it was short and I couldn’t remember all of it from when I read it in high school. It was just as terrible as I remember. It’s about a man and his retarded brother who travel around looking for work. They constantly get in trouble and have to leave because the retarded man is socially inept. The retarded man, Lennie is the most pathetically sad creature someone could invent. And all the dying that took place, especially the dog and the puppy, made me sad. It was almost a relief when the ending happened. I won’t tell you because I don’t want to spoil it in case you decide to read it. At least it was quick. Maybe people like that are better off dead. That might sound horrible, but how often was Lennie happy? He was mostly in a constant state of anguish and anxiety. Never knowing if he did something wrong or when he would next. Don’t judge me until you read the book, then we’ll talk. The point of the book I guess was the relationship between the two men, and how men need each other. Is this Classic material? I don’t think so. Was it a good book? I didn’t enjoy reading it. I read only to get to the end. ClassicsDefined.com

Thomas

"Of Mice and Men" is about two ranch hands traveling together in the Dust Bowl age trying to find work. George is the planner, and is always thinking about the future and how to look out for Lennie although he doesn't always show it. Lennie is limited because of his mental retardation, but nonetheless although strong is pretty much harmless. Together these two travel together and well... it's a short story, so not much I can say without spoiling it. =)I liked this book. I'm writing this review BEFORE my class has analyzed the book and what not, so maybe that's why I enjoyed it a little more than others that had to read it for school. The storytelling was nice, quick and simple with vivid imagery to help move the few boring parts along. The best part of this book was definetly the theme hands down, it was a bit depressing at the end but I got a kick out of the message so... it was pretty good for a book I had to read for school.

Claire S

A fascinating thing about this which I hadn't been aware of from my previous exposure to it is that is was one of Steinbecks's format/genre experiments. In this work, Steinbeck created a new genre: the play/novelette. '"The work I am doing now," he wrote to his agents in April 1936, "is neither a novel nor a play but it is a kind of playable novel. Written in novel form but so scened and set that it can be played as it stands. It wouldn't be like other plays since it does not follow the formal acts but uses the chapters for curtains. Descriptions can be used for stage directions... Plays are hard to read so this will make both a novel and play as it stands."Anticipating postmodernists, Steinbeck was to declare wtih greater and greater frequency in the late 1930s and '40s that the novel was dead, whereas theater was "waking up," was fresh and challenging.'And in fact, he sent it to his publishers in late summer of 1936; it was published on February 25, 1937 (for $2 per copy); was a Book-of-the-Month Club selection in March; was performed as written by Theater Union of San Francisco with an opening on May 21, 1937; then performed as a modified version at Music Box Theater in New York opening November 23, 1937; and released as a film in 1939. It was very controversial, banned in Australia in 1940; one of the most frequently banned books by school board over the years.'"The first few pages so nauseated me," wrote the reviewer for 'The Catholic World,' "That I couldn't bear to keep it in my room over night."' "Morbid and degenerate" content was why another showing of it was condemned.And the reason for all the hoo-ha? The truth of it. The hopelessness and loneliness of the group of people Steinbeck gives life to - the landless white male agricultural workers of the 1930's. Also, he used actual dialect which was still new back then. Included in the dialect is racist language in use back then, as his characters would not have been honest without it. Probably some bannings were due simply to the use of the 'n' word, although most programs that use it now include context for that which is a response to it that contains the intended respect while also containing discussion that can be so useful to unlearning racism. Another interesting content item about race is a momentary scene in which a white woman brings to the attention of a black man her ability to get him lynched. It's brutal, and then it's over and the action continues and it fades into unimportance - all of which serves as a reminder of our shared history festering with racism; and how far we as a country have come. (i'm adding that scene to quotes for this book).It's a very quick read for all that, and very enjoyable actually just for the intensity of description. This felt to me like one of those quick-action films, only the super-short scenes are ones you create in your own mind, as written by Steinbeck. Somehow he packs in vivid visual content and well-drawn characters in an almost poetically pithy writing style. Highly recommend.

Ellie

Of Mice and Men is truly beautiful piece of literature that seems so simple, yet so incredibly complex. Set during the American Great Depression in the 1930's, it is the story of two friends, George and Lennie, who wander from town to town looking for work to earn money to buy their own land. The one snag in this plan is Lennie, a strong giant of a man with the mind of a young child who, although full of good intentions, finds himself getting into trouble at every stop. Lennie is unable to think for himself and relies completely on the guidance of George to get him through everyday life. The ending is so swift yet so incredibly moving, that I cried while reading the last few pages. (view spoiler)[My heart broke for George at the end of the novel. I really felt sorry for him – he lost everything, his friend and his hope and his dream for the future. And Lennie, it was sad that he died but at least it was someone who cared about him and someone who was trying to help him who killed him. It would have been much worse if Curley or Carlson had killed him because they wouldn't have let him die so happy without him knowing what was going to happen to him. (hide spoiler)]This will be one book that I will always remember reading. Five stars! ["br"]>["br"]>["br"]>

Andy

It's the way Steinbeck describes things that gets me."Crooks, the negro stable buck, had his bunk in the harness room; a little shed that leaned off the wall of the barn. On one side of the little room there was a square four-paned window, and on the other, a narrow plank door leading into the barn. Crooks' bunk was a long box filled with straw, on which his blankets were flung. On the wall by the window there were pegs on which hung broken harness in process of being mended; strips of new leather; and under the window itself a little bench for leather-working tools, curved knives and needles and balls of linen thread, and a small hand riveter. On pegs were also pieces of harness, a split collar with the horsehair stuffing sticking out, a broken hame, and a trace chain with its leather covering split. Crooks had his apple box over his bunk, and in it a range of medicine bottles, both for himself and for the horses. There were cans of saddle soap and a drippy can of tar with its paint brush sticking over the edge. And scattered about the floor were a number of personal possessions; for, being alone, Crooks could leave his things about, ad being a stable buck and a cripple, he was more permanent than the other men, and he had accumulated more possessions than he could carry on his back."None of this is relevant to the story, and yet a middle chapter opens up with this vivid scene. Steinbeck succeeds because the characters he paints in your head are exact. The first time I saw the movie that was made out of this story, it was just as I had envisioned it. Though the story great itself, the reason I will come back to this book is for the little things, the very things that have made me love Steinbeck so much. I first read Of Mice And Men my sophomore year of high school, when it was a required reading in Mrs. Beeler's class. I recall disliking almost all required school readings up to this point (though admittedly I had skipped out on the summer reading project of "The Grapes Of Wrath"). When this book was assigned, I knew it was different. I blew through it, reading it in a day or two, even though I wasn't supposed to. For once there was a school book that I enjoyed. And all the credit in the world to my teacher, who chose other good books the rest of the year. So it's been 6-7 years since I've read this, and now, reading it for the second time, it's just as memorable as I remember. The story sticks with you, the imagery sticks. The characters are among Steinbeck's best, painted in such a crystal clear vision of the time.It's a near perfect short story, and one that I will surely revisit throughout my life.

Paul

The title of this novel is only 50% accurate, a very poor effort. Yes, it’s about men, but there’s little or nothing about mice in these pages. Mice enthusiasts will come away disappointed. This got me thinking about other novel titles. You would have to say that such books as The Slap, The Help, The Great Gatsby, Gangsta Granny, Mrs Dalloway and Hamlet have very good titles because they are all about a slap, some help, a Gatsby who was really great, a no good granny, a woman who was married to a guy called Dalloway and a Hamlet. I have no problem with those titles. But you may be poring over the pages of To Kill a Mockingbird for a long fruitless evening to find any mockingbirds coming to any harm at all. Indeed, to coin a phrase, no mockingbirds were harmed during the making of that book. So I rate that title only 5% accurate. And some titles seem to have a word missing, such as Conan Doyle’s The Sign of Four. Four what? It doesn’t say. Perhaps he completed the book and left the title to the very last minute and died as he was writing it down. Same thing with The Crimson Petal and the White. White what? Wallpaper? Hat? Cat? Mouse? Mockingbird? Could be The Crimson Petal and the White Gangsta Granny for all we know. A poor title. And what about The Dharma Bums? I think a Cigarette or You Out is clearly missing from that title. Another grossly misleading title is Women in Love . I can’t be the only reader who was expecting some strong girl on girl action from DH Lawrence but I would have been better off fast-forwarding to the middle part of Mulholland Drive. Now that’s what I call Women in Love. DH, take note. Another badly chosen title is Hitler’s Niece - yes, it is 100% accurate, but at first glance it can look like Hitler’s Nice, and surely that is going to put off a lot of potential readers (except for the readers you really don’t want). And what about Call it Sleep? – call what sleep? The Catcher in the Rye, The Postman Always Rings Twice, Flaubert’s Parrot, The Camomile Lawn – sometimes obscure titles can be solved if you understand that the author is referring to Death, so, the Catcher is Death, the Postman is Death, the lawn is Death and the Parrot is Death. Of course, I may have got that wrong. It’s something I read somewhere and it just stuck in my mind. Some other titles I would give low ratings to :The Turn of the Screw completely baffled me – I know that “screw” is what inmates call prison officers, so I was expecting a story about a concert put on by the staff of a large correctional institution. It was nothing like that. The Little Prince according to my system does rate 100% but I still think The Little Faux-naif Idiot would have been better.The Amazing Adventures of Kavalier and Clay – actually, I rate this as 90% accurate – there are two guys who are named Kavalier and Clay, and they do have adventures, but they aren’t amazing. A Clockwork Orange – this must be a metaphor for “I have given up thinking of a title for my novel”No Name – like A Clockwork Orange this must be where the author couldn’t think of any title so in this case he left it without one, like the Byrds’ album Untitled, or () by Sigur Ros, or several paintings by De Kooning and those other abstract expressionist types; but to call a novel No Name is self-defeating, because No Name then becomes its name – epic fail, Mr Collins.The Violent Bear it Away - this is another example of a word missing - possibly "took" or "dragged", I expect that's the sort of thing a violent bear would do I’m surprised the publisher did not catch this error.

Raeden Zen

A Tragic Novella of Companionship and Destroyed Dreams“Lennie still stared at the doorway where she had been. ‘Gosh, she was purty.’ He smiled admiringly. George looked quickly down at him and then he took him by an ear and shook him. ‘Listen to me, you crazy bastard,’ he said fiercely. ‘Don’t you even take a look … I don’t care what she says and what she does. I seen ‘em poison before, but I never seen no piece of jail bait worse than her. You leave her be.’”“Of Mice and Men” begins with two men walking along the Salinas River and ends with two men walking along the Salinas River and in between we are transported to a distant world dominated by the Great Depression, by two migrant workers whose American Dream has been repeatedly shattered by the economic downfall. It is a world where mental illness had not yet been understood and is Shakespearean in mood: From the initial steps along the river and the first words uttered by George to Lenny and the foreshadowing that follows at the farm, we know the story ends badly. We can see Lenny’s big hands and George’s lips flapping, warning while they imagined better times, of living off the land where Lenny can tend his rabbits and George can farm in peace with Candy and Crooks.The bottom line: “Of Mice and Men” isn’t always an easy read. Its language is of an era that is foreign to many Americans, racist at times, harsh or filled with vile slang at others (see above). But with limited pages of a novella, Mr. Steinbeck finely draws the characters that populate this world in such a way that you can’t help but be transported to their lives, to their struggle. You’ll hate Curley and his wife and you’ll sympathize with the rest, especially Lennie Small and George Milton as they descend to an inevitably depressing conclusion.

Jeniffer Almonte

"Of Mice and Men" is so widely read since it's required at most schools. But I hope that doesn't mean we take it for granted. On this re-reading one of the elements I gained was the character of Crooks, the clever black stable hand languishing with loneliness. I also saw Curley's wife in a different light-- one that understood how her loneliness guided her relationship with the men. And there's Candy, lonely for his smelly old dog, wanting to be part of George and Lennie's piece of paradise, wanting to go to the circus or a baseball game if he ever did feel like it.At that time that I read this when I was 11, I guess none of them made much of an impression. I saw only Lennie and the innocence of his dreams. And I thought that was the point. On this second reading, I realized that almost everyone had innocent dreams and maybe THAT was the point. Because George too, has innocent dreams, even though he should know better (having manufactured those dreams for Lennie's sake). Lennie is the way that he is because of his mental disability. But really, he's the way that he is because he is human. The desire for companionship, the innocent optimism, the potential for destruction, those things are human. They are just all bigger in him than usual. This is such a powerful little book, with dialogue that truly sings. A masterpiece. And an absolute treat to re-read!

Embraced_evils

** spoiler alert ** Usually when my father and I actually have conversations, it tends to revolve around some sort of argument. At times, even if I agree with him, I’d pick up the opposite side of the given argument just for arguments sake. When we agree we fall silent, and our relationship is based for the most part on silence the chance to argue is usually too good to pass up. When I was younger I’d end up in tears, frustrated that he couldn’t look beyond his own view points…in retrospect I suppose I could have said the same for myself. I didn’t let up enough to ever consider his side. We both just sort of took this cocky and aggressive tone, he was just better at playing it out…he still is, I suppose it has to do with the difference in age. No matter how thoughtful an argument might have been, or a question, or a thought, anything I posed to question him that he in turn could give no answer to, he’d settle simply by saying I didn’t have the experience or age to understand. I haven’t yet come to terms with the fact that I’ll never be able to catch up, and that somehow I’ll never stop being a child in his eyes…hell I can’t stop being a child in my own eyes. It’s different with him though, someday I’d like to be right by his standards.Any way, while I was reading Of Mice and Men I couldn’t stop thinking of an argument my father and I had when I was very young. We were talking about the bible and my decision whether or not to read it. He didn’t try to lead me in any direction but he wanted me to understand one thing. Reading the bible he said was like a “double edged sword”. His theory (not his exclusively, obviously) was that if one read the bible and understood it then the standards for getting into heaven were harder. I think the equation went something like this:1. ignorance = innocence2. innocence always gets into heaven, because you can forgive innocence. I asked if that meant people who’ve never read the bible got into heaven. My father answered that they did, because it wasn’t their fault they had never been ‘shown’ the way. But that only meant there was more pressure for the people who had ‘seen’ the way because then they made a conscience choice to walk down that path, or take another way. The weight of this whole idea was ignored for a long time on my part; I remember scoffing at my father. It seemed ridiculous, the possibility of bad people getting into heaven just because they never knew better. This was back when I was a far more judgmental person. Though I can’t really deny that in my heart, the idea of God being so forgiving was a relief. I liked the view my father held, but I didn’t want to agree with it.Reading Of Mice and Men sort of brought that argument back to my mind. My father’s theory has evolved into a belief all on its own changed completely but with the same genuine heart. People aren’t bad; people are products of events, of situations. I wouldn’t say people are a 100% of their past, because in the living instant an individual has the ability to choose and has true undeniable free will over memories and expectations of the future. But if a person lives a very hard life, the possibilities of that individual repeating past mistakes is higher. Regardless…that was sort of off the subject.I think Lennie is the incarnation of everything wonderful and painful that makes up innocence. And not the sweet sort of innocence that people seem to wish to portray as a good quality. It’s the sort of innocence that’s rooted in ignorance. Lennie’s innocence is rooted in a mental disorder however, but it doesn’t really change the perspective for me. Mentally he’s a child, and children are innocent. When Lennie died I thought about that a lot. Though this book didn’t in any way deal with the question of religion or god, or anything close to it, I couldn’t help but know that Lennie would go to heaven. Really it was an odd thing to think about after reading such a powerful and emotional piece. My favorite character however would have to be Curley’s Wife. All the characters in this story had such an important roll, meaningful and diving deep into their psyche. All but Curley’s Wife, whose soul purpose in this story was to die, and prove that lust in the end undoes itself. Curley’s wife, who in my opinion represented nothing but lustfulness in a pool of odd but incredibly deep characters, is the most honest reflection of reality found in this book. “Curley’s wife lay with a half-covering of yellow hay. And the meanness and the plannings and the discontent and the ache for attention were all gone from her face. She was very pretty and simple, and her face was sweet and young.” (93)It’s those little pearls of awareness thrown in her direction that made me love her. “the ache for attention”, who doesn’t know that feeling? And the idea that the only way to get rid of that ache, or the discontent and the meanness (sometimes done purposely sometimes done in ignorance) can only be beat with death. And having this representation of lust (passion for life) being killed by the representation of innocence (who generally is not at all that different from lust, or passion, the difference being only in the ‘plannings’) is painful. Where a passion for life called for planning and deliberation, for learning how to use the body and the mind…for a pure and simple ache to be known and seen was ended so quickly by innocence who just took what it wanted. And on a completely different note that’s borderline ranting…I really enjoyed the story, and I am glad I decided to read the book again since I didn’t have much of a recollection from high school, but Jesus Christ what is up with the huge bunny at the end? I understand that it was a manifestation of Lennies mind, but GOD…a giant bunny? It seemed so cartoonish here at the climax of this emotional story.

Kirstine

“A guy needs somebody―to be near him. A guy goes nuts if he ain't got nobody. Don't make no difference who the guy is, long's he's with you. I tell ya, I tell ya a guy gets too lonely an' he gets sick.”Are you a mouse or man?At first glance that saying is very straight forward. Of course you want to be a man, because that means you can take action, you can face consequences, you can stand up for yourself, for others, for what is right. You are not weak-willed or weak-minded; you are strong.But men are also assholes. I’m now talking about mankind, not the gender ‘man’ (don’t get your panties in a twist). We’re all fucking useless parasites latched on to this planet for dear life, claiming earth we have no actual right to own, using up every bit of precious resource we’re offered. Some of us are those resources being used, with nothing to show for it. Some of us have to walk that road alone. What is a mouse? A tiny creature that allegedly scares women. It’s a cute mammal, a fluffy herbivore. It doesn't kill, it’s not in its nature, yet it has survived until now and it fights for that survival every day. Now the question is a bit more difficult. What would you rather be? Mouse or man? What does it take to be either?In this particular saying, the most significant difference between mouse and man (other than a conscious mind) is strength. Strength in all its variations and complexities. Why do we value it so much? Is it worth anything if you don’t know what to do with it?Lennie has physical strength, but a weak (innocent) mind, while his companion has a weaker physique, but a stronger mind. They’re each other’s companions so as not to get lonely, but also, I believe, because they complement each other. It’s obvious that Steinbeck valued strength of the mind higher than anything physical, and that an excess of strength (in any way) with no restraint will end badly for anyone. However, a simple mind is not a bad thing either, it doesn’t make you a bad person, it simply means you will have a harder time getting by on your own. George could get by fine without Lennie (as he sometimes states himself, perhaps even better) but Lennie would be lost without George. And the act of taking care of someone and having someone rely on you, someone who needs you, it makes you a kinder human being. Perhaps it makes sense the title’s in plural. It's a tragic, but humbling read, that in a mere 100 pages lays bare many of the trials of humanity. There are so many things I adore about this book, so many things I keep discovering and falling in love with. It breaks your heart, it really does, but it is also very affirming. No matter who you are, or where on the scale of mice and men you fall, never forget to be kind.

Taylor K.

Goddamn it, Steinbeck. You incredible, wonderful, magnificent writer, you.With Of Mice and Men, Steinbeck continues to hit me in a way that no other writer has (at least not yet). He has this talent for finding the achilles' heel of humanity and slicing it open in a way that will leave me in a crumpled heap on the floor, begging him to do it over and over again.One of the things that floors me about Steinbeck is how deftly he can do this in a short time. Of Mice and Men packs a wallop in 118 pages that many books three times the length never come close to.The story of Lennie and George, two migrant workers with a dream of saving up money from their farm gigs to purchase land and become homesteaders, gets to the heart of the things that make us human: loneliness, dreams/hope, and the things we do to help or hurt each other, as motivated by those things. Just as every character suffers in their own way, every character dreams in their own way. (For example, it's George that truly aspires to ownership (No Gods No Masters), where Lennie simply wants something to care for (rabbits, particularly).)These dreams and fears create a complex bond between Lennie and George, which surprises the other workers in Of Mice and Men, citing that many men simply don't trust each other enough to travel together. Lennie, while a strong worker, needs George to help get him gigs, as he's mentally slow and scares and intimidates people. Meanwhile, George often muses that he could probably be more successful without Lennie - and yet, his desire to take care of Lennie is part of what motivates him to save money to buy land, whereas the other workers simply throw it all at gambling, hookers, and booze. Power is the third motivating force - just as everyone holds their own desires and their own fears, almost everyone in Of Mice and Men holds some kind of power, be it physical or mental, which they display over one another in turn. This mingling of hopes, fears, and power creates an intricate web bringing the characters on the farm together in touching and heart-breaking ways. No one person is responsible for the events that unfold, because everyone is flawed. No one person is a hero or a villain, because they are all capable of good and of evil.As gifted as Steinbeck is with prose and with character building, he's equally deft at setting mood and tone. You can emotionally sense what's coming as much as you can from any plot tools that tip towards foreshadowing. What guts me in a not-so positive way is that there seems to be so little in the way of hope to draw from Of Mice and Men. It's hard to tell if Steinbeck is presenting a sad reality, a cautionary tale, or both. There's this well-circulated quote from his journal around the time of writing this, however, that feels important in this context (and is apparently used in an introduction to the book in other versions):"In every bit of honest writing in the world … there is a base theme. Try to understand men, if you understand each other you will be kind to each other. Knowing a man well never leads to hate and nearly always leads to love. There are shorter means, many of them. there is writing promoting social change, writing punishing injustice, writing in celebration of heroism, but always that base theme. Try to understand each other."This certainly feels to be one of the messages we can draw from Of Mice and Men, as well as so many of Steinbeck's works as a whole. In a handful of scenes, the characters confess their loneliness and their hopes to each other, and realize both how little they know of each other, but also how much they have in common. What's truly tragic here is how those fears repeat themselves, and prevent them from finding answers or solutions.What holds me back from giving this the big five is that once again Steinbeck uses women to represent temptation and little else. I don't get the impression that he hates women, per se, but I do need more from his women characters. I need to see that he can write women as more than meddling temptresses. Maybe finally picking up Grapes of Wrath will do that for me? I hope?I never read Of Mice and Men in school as so many do, and I'm a bit glad for it, because I didn't appreciate most of the works I was introduced to through high-school. While I like to think that I could've appreciated Steinbeck at any age, I was easily turned off from a good number of writers during that time. The thought that I could've been turned off from Steinbeck, who's easily in my writer top three now (maybe even at the very very tippy top, if he writes better women in other works) makes me realize that some of them are probably due second chances. All of us need one, at times.

Alexia

Blatant symbolism makes the reader able to discern exactly what is going to happen and what means what from the get-go. There is no surprise or character development, just the descent into the inevitable.

Andrew Kubasek

There are few books which reduce me to emotional breakdown, but this is one of them. Revealing the darker side of compassion, Steinbeck tells the story of two friends and what happens when one of them "does a bad thing." Has this novel become over-taught in high schools? Definitely - and people's perception of the novel suffers because of it. People have to want to read this book because nobody wants such a harsh, violent story placed upon them as an obligation to read.This is a very different "American Dream" story than what most people think of (which is usually "The Great Gatsby"). It is about turn-of-the-century working men, who live week-to-week and month-to-month, always building better lives in their heads than can ever be built by their work. It about trying to get ahead, but always having a handicap - brutality (Lennie), being crippled (Candy), being unwanted (Crooks), or having to take care of someone else (George). It is about young men and their dreams, and old men and their dogs, and the dream that all Americans carry of running away and living off the fat of the land.

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