The Known World CD: The Known World CD

ISBN: 006076273X
ISBN 13: 9780060762735
By: Edward P. Jones Kevin Free

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About this book

In one of the most acclaimed novels in recent memory, Edward P. Jones, two-time National Book Award finalist, tells the story of Henry Townsend, a black farmer and former slave who falls under the tutelage of William Robbins, the most powerful man in Manchester County, Virginia. Making certain he never circumvents the law, Townsend runs his affairs with unusual discipline. But when death takes him unexpectedly, his widow, Caldonia, can't uphold the estate's order and chaos ensues. In a daring and ambitious novel, Jones has woven a footnote of history into an epic that takes an unflinching look at slavery in all of its moral complexities. Performed by Kevin Free

Reader's Thoughts

BC

** spoiler alert ** Addressing the novel “The Known World,” by Edward Jones, is tough. As a writer and voracious reader, while working my way through the story I found the structure of the novel quite unconventional and unsuccessful—and at times quite irritating—as a means of communicating what might otherwise have been a powerful story with which a reader could in some way connect. And yet when I put down the completed book, I felt I had experienced a compelling tale.In less than 400 pages Jones attempted to tell the story of almost 50 characters; many author’s have trouble successfully spotlighting three or four characters. Jones had on average less than four pages of text to dedicate to each character: any more on any one, and the rest would suffer. (Jones must have understood this to some extent, as he added at the end of the novel a list of characters, including a brief description of each, to assist his readers.) So there already was a multitude of characters, and not much room to say a whole lot about any one of them. Then, it seems Jones took every person’s story, cut each into tiny pieces, mixed them up in a big box, then randomly pulled out fragments and added them to the novel, giving the reader a very disjointed storyline/timeline to follow. Trying to understand who was where, when and how, only detracted from the overall effect the story could have had on me as I read it—the very act of reading it became laborious.Adding to this was Jones’s insistence on inserting so-called present day (for the reader) references. These additions ruined any sense of connection I might have felt existed between the narrator and the story, since it made it apparent that the narrator was here and now (2009, or whenever any reader might open the book) and not even remotely a part of the story or even the setting or era. These snippets only served to detract from the intimacy of the narrator with the story.Hurting the story even further was Jones choice of third person omniscient point of view (POV). With no consistent POV, it was very hard for me to connect or identify with any one character through the entire text. While reading the story, I continued to be disappointed and even irritated at Jones’s method of presentation, right up to the last page.Yet after completion, while still dissatisfied with the final product (I really wanted to KNOW many of the characters, and Jones left me wanting so much more), I found myself contemplating the many characters and plotlines, and realized that while the reading itself was not ‘fun,’ there was still something there.“The Known World” was an intricate story through which Jones created a completely imaginary world. (Jones has stated in several subsequent interviews that he conducted absolutely no research, and that the entire story and every single character, other than actual historical figures, was “crafted in his head.”) And his characters were very consistent. The novel’s title was well chosen: each character acted within the confines of that individual’s known world; very few thought and acted beyond themselves. And yet, all those worlds continually collided—each character in some way was related to, interacted with, or somehow influenced one or more of the others. Jones creation of so many people, and their sometimes tenuous and at other times quite personal ties, was brilliant. Any attempt to plot the relationships and interactions would produce one huge and complex spider web.While completely made up, the plotlines and characters are very believable, based upon what we know of the era, and even upsetting to some, and it all felt very real when I was “in the moment.” While today we know the evils and effects of slavery, Jones was able to present so many characters set perfectly in a time when slavery was both legal and accepted by so many people. Regardless of how any reader may personally feel now, at one time not everyone felt that way. There are many acts that currently are known to be appalling or just outright evil, but at one time were accepted as normal. Thankfully, perspectives change, and we have grown, building upon the knowledge and sentiments of our ancestors. Jones fiction is about such possible forebears, and how some accepted, some rebelled, some pretended and some ran away. Jones instigates numerous emotions through his characters: incredulousness, outrage, sympathy, fear and sadness, to name but a few.In all, the novel grew on me as I was able to let the myriad of fragments come together in my mind well after closing the book. I do believe that the impact might have been greater—and more immediate—if Jones had chosen a more conventional method of storytelling, and limited the number of characters so that each could be more thoroughly developed.

Sonia

Very complex themes and characters. Historical fiction set in virginia, era 1800's. The tale of former slaves being slave owners. Learned some facts, very fascinating. Draw back: hard to remenber all the characters and how they are inter-relate.

Jennifer Uhlich

It is difficult to write about this book without falling into the cliched language of the glowing book review: lyrical, profound, extraordinary. It is all of these things. It is one of the most delicate, lovely prose voices I have read in many a year.It is the only novel I have ever read that brought home to me the institution of slavery. Previous novels I've read all focused on one person's experience, or one family's experience; they put you cringing and weeping into those shoes and made you walk. They were powerful stories but also singular ones, and that tight focus can lull you into the delusion that slavery was an isolated thing, a monstrous but finite period in history that produced specific acts of cruelty. Instead, this novel presents you with the vast panorama of institutionalized human bondage. It shows without comment all the complexities and degrees of bureaucratic cruelty; the nest of knotted, suspect laws that must exist in order to justify one man's possession of another within a Constitution that begins "We the people"; the ways decency and compassion must squeeze through the bars of a poisonous framework just so people can get through their days; a society based on human property, an economy based on human property, a governing structure based on human property; a world where it is natural for one person to own their blood relations, where you can know to the dollar the market worth of your lover, and where freedom is a fragile piece of paper with nothing behind it.At the same time, it is a story; it is, in fact, many stories woven together, and never has the adage about every character being the hero of their own story seemed so poignant. As for the ending? No spoilers, save that in a sense it does not end, because none of this has ended. But it was not what I expected, and it was utterly right.As a writer, I was humbled by this book. As a human being, I am grateful for it.

Lamia

رواية العالم المعروف تبحر بك في القرن السابع عشر في ولاية فرجينا الإمريكية وما يجاورها من مدن في زمن العبودية والتاريخ الأسود الذي رافق تلك الفترة قبل الحرب الأهلية الإمريكية .لا الرغم من عدم شهرة الرواية إلا إنها حققت ربحا في المبيعات على الرغم من بعدها عن الإثارة وفوز كاتبها "بوليترز" وكذلك تم تصنيفها على إنها رواية تاريخية حيث أمضى الكاتب 10 سنوات في كتابة مادة الرواية وهي واقعية لدرجة كبيرة وتميل للإنسانية ولا ريب في ذلك إذا علمنا بإن جونز هو الابن الوحيد لعامل مطبخ وخادمة في فندق وعملت أمه في شتى الأعمال من أجل إبنها واختفاء والده في صغره. بالرغم من أن امه لا تعرف القراءة أو الكتابة إلا إنها غرست في ابنها حب العلم. وسلوك إبنها في مجال الأدب بشكل عام وانضم في 2010 إلى الهيئة التدريسية في قسم اللغة الإنكليزية للكتابة الإبداعية في جامعة جورج واشنطون الغنية عن التعريف.تبدأ الرواية بمقولة أدوارد بي. جزنز " طالما تساءلت روحي كيف تجاوزت كل شيء"في الصفحات الأولى من الرواية يذكر إحصاءات مانشستر والتي هي أوسع مقاطعة في جينيا لعام 1840 حُر:2191عبد حُر:142هندي أحمر: 136عبد:2191كثرة العبيد لأنهم كانوا إما خدما أو مزاعين في الحقول . الرواية بشكل عام تتطرق إلى السود الأحرار الذين يملكون عبيدًا وكيف قام أغسطس تاونسند بشراء حريته وبعدها عمل بجد من أجل شراء حرية كل من زوجتة وولده الذي إختطف ليعمل ويكون عبدا وفيما بعد يكون هو العبد الحر ( هنري ) الذي يشتري أرضا من سيده السابق ويصلحها وتكون هي الأرض التي نشاهد فيها أغلب المشاهد والأحداث. الشخصيات التي حاول الكاتب وصفها وطريقة معيشتها وطرق التعذيب والعقوبة التي مروا بها والتي تكون أقرب للوحشية والحراسة الليلية التي إستحدثت في عهد المأمور الجديد (جون سكفينغتن) مع مجموعة من الرجال، الذي يلاقي مصرعه على يد ابن عمه في مشهد دموي. والدين الذي يدينون به الذي يتعمد فيه الكهنة على البساطة بعيدا عن العمق. وهذه أحد المشاهد الفضيعة حيث هرب ( إلياس) وعندما وجدوه قطعت أذنه من قبل أحد رجال الدورية الليلية (الهندي الأحمر- أودن) الذي سيصبح فيما بعد مراقب العمال بعد أن يهرب (موسى) الذي كان مراقبا للعمال وساعد عائلته وأليس التي إدعت الجنون على الهرب.يذكر جونز الكندي ( اندرسن فريزر) الذي أجرى حوار بـ(فيرن) المعلمة التي درست السود الأحرار وكانت المادة التب كتب عنها عن "عجائب وغرائب الجنوبيين ، اقتصاد القطن، وحققت نجحا فيما بعد والتي كانت أقرب للسلسلة. تتسارع الأحداث فيما بعد إلى أن نصل الفصل الأخير رسالة الأخ (كالفن) إلى أخته (كالدونيا) والتي يذكر فيها ما الذي حدث له شخصيا في 12 أبريل 1861 وهو نفس اليوم الذي حدثت فيه الحرب الأهلية الإمريكية ولا يذكر فيها أحداث الحرب إنما أمور شخصية وحياته.فيلم وثائقي عن تاريخ العبودية في أمريكاhttps://www.youtube.com/watch?v=pDukq...

Rosey

Basically - a book about slavery in the South. I enjoy those kind of thing, especially The Secret Lives of Bees, but with this one, it felt like the book had no point. While I was reading, I kept on going "what did I just read? Am I really reading/understanding this book?" and kept on referring to the back cover of the book. No. The story was simply what I read. O.......K! Then ugh. I HATE leaving a book unread, so I kept on forcing myself to read thru the whole book. Finally the misery I was putting myself through ended, and UGH! The storyline. The author kept on jumping around the timeline too much - and honestly - I would describe this book as a glimpse of the lives of slaves in the south, but with a blah storyline. However this book has won a pultizer prize. EH!? Anyone out there who has read this book? Your opinions??However like always, we learn from books. What I got out of this book was a new knowledge I never came upon, that black people owned black slaves.They even buy their own family members, and the slaves were considered as properties, including family. Hmm... History is richier than we will ever know or think of.

Gwendolyn

This was a great book, very well written and an interesting read. Tackling the complex morale issues surrounding slavery from a new perspective, this book delves into the territory of black owners of slaves. Without preaching, the author successfully navigates barbaric treatments and offers a view into the mental justifications and rationalizations. Characters of great strength, courage and resilience are interspersed on both sides of the issue, as are truly terrible individuals.The author continuously introduces new, inter-related characters which means he constantly has to remind us of who someone is. While a bit extraneous, it didn't detract from the book. This isn't a traditional "story book" where you follow someone's life. The author jumps around from past, present and future glimpses to facilitate quick character development. The downside to this was there weren't "cliff hangers" at the end of chapters that kept me reading non-stop. I recommend this highly as a quality book. It definitely makes you think about how the human psyche can be manipulated, and how laws of the land and society can be used to justify behaviors.

Bonnie

A disquieting book about slaves owning slaves. All kinds of stories woven together make this novel a joy to read. I especially love the changes that Jones' characters make in their lives from the fact that they live everyday. Just as people make adjustments to their lives, especially after severe disappointments, so do Jones' characters -- the ones that don't move, die, either physically or spiritually. Fascinating concept.

Sam

My well-read mother-in-law referred this one to me. Fascinating. Well written. A modern day Uncle Tom’s Cabin. Freed Blacks owning slaves turns many of the justifications for slavery on their head, from the inferior black man argument, to God’s disapproval of the race. Touching, depressing, exciting, I couldn’t put this one down. I have yet to reconcile my believe and patriotism in America with the despicable practice of slavery that endured for over 100 years. This is a topic that really intrigues me.

Pamela_b_lawrencemsn.com

Great great book. One of the characters early on says, as strange as a world that makes him slave to a white man, "God had indeed set it twirling and twisting every which way when he put black people owning their own kind." Not much I can say that hasn't been said by many other reviewers, and probably the Pulitzer Prize committee, but this is a clear-eyed book about slavery in the 1850s about the moral bankruptcy that allowed it to happen and that it engendered. This novel is not a page turner and you would do yourself a disservice if you did not take the time to savor every sentence, every bit of dialogue. The novel is also an architectural wonder, apparently seamlessly flowing from story to story, the result of meticulous crafting. Even though the setting is slavery, the novel is also about the things that divide us and unite us, constrained by artficiality - slavery - or not. The themes are epic - tragedy within the larger tragedy, betrayal, ambition, unwarranted brutality, striving for a better life or to be a better person, grace arising from adapting to circumstances, disappointment in children, true love, and forgiveness. Each character is fully inhabited. I only have to look at the cover of the book, one I do not want to part with, and they and their fates - because the author has created one for each one - immediately come rushing back to me. Read this book!

karen

there is that old adage that a good book will tell you how to read it. and i have no idea to whom that should be attributed, only that my undergrad professors seemed to have been born to quote that thought endlessly: in my gothic lit class, my enlightenment class, my victorian lit class... the african and irish lit professors mostly kept their mouths shut on the subject. but the rest - hoo boy - did they love to drag that old chestnut out... and it makes sense, to a certain degree. but this book doesn't tell you how to read it so much as it presents itself to the reader, like a fat man in a speedo lolling around on an undersized towel saying, "look at me ladies, you like it?? this is what you get!!" it almost demands that you read it and like it.but i was disobedient.every sentence, every paragraph, seemed to be trying to contain multitudes. and i am a fan of "thick" writing, but the manner in which this book presented itself quickly soured on me. there were too many stories or episodes ending with, "years from now, when celia was on her deathbed, she would think back to her third year of marriage",in a scene where she has yet to even be married, or right after two characters are introduced to each other, "this would be the last time they would meet until the hailstorm of aught-six" - and i am making up all the names and situations here, but you get an idea of the shape of my complaints. it's constant foreshadowing and some of the foreshadowing is just teasing, as the events never come to pass in the novel itself. it's like sitting down to tea with a god in his dotage, rambling and making connections only he can understand; seeing the past and future simultaneously."hey, karen, didn't you really like that kjaerstaad trilogy, where he basically did what you are complaining about here??"yeah, what? so? shut up - isn't it past your bedtime??yeah, but sure, that's true. but for some reason, it bothered me here. all i wanted was a straightforward linear narrative about a fascinating subject matter: free black men and women who owned slaves. when i read roll of thunder, hear my cry last summer, the whole transition period between slavery and freedom really excited my brainparts. i dunno. and mister jones was a real sweetheart when he came for the new yorker festival and i waited in line to get a book signed for a friend and i really wanted to like it because it seems like a nice fat sprawling sweeping story the way i like, but i just got lost in the names and the timeline and my confusion turned into apathy. it's like this guy you date who seems really perfect - he is smart and looks like gabriel byrne and he dotes on you and everything is fun and on paper it all looks great and you know you should really like him, but he just doesn't make you laugh so you run off and leave him for a rockstar. you know? because i feel like i should like this one because it is award-winning, and my experience with the african-american novel is middling (although i love the african novel, the west indian novel and the afro-canadian novel - go figure) so i feel like as someone who appreciates literature in general, i should totally love this. but it wasn't there for me.oh, chris wilson, i am sorry. now you are going to want full custody because your baby is being raised among heathens. years from now, when my and chris wilson's book-baby became the mayor of littleton, he would read this review and a tear of sorrow would come to his eye at my short-sightedness.

Chris McClinch

This is a book I wouldn't have gotten past page 50 of had I not been reading it for a book club. While the author clearly did his research and posed a fascinating premise--free blacks owning slaves in 1840s Virginia--there wasn't much of a story or a key character or set of characters for you to hang your hat on. As such, I found the book to be much more of a slog than I would have expected with such a fascinating premise. This is one of those books where I want to take the author--who is clearly talented--aside and remind him that the novel is primarily a storytelling medium, and that if you're not telling a story, you're breaking your basic contract with the reader.

Beth

Just briefly, this is a beautiful novel. It's poignant, wise, and taught me a great deal about a phenomenon I knew nothing about: black slave owners in the South before the Civil War. The issues of social relations between whites, free blacks (with and without slaves), and slaves, and the issues of identity for the free blacks who had to figure out where and how they fit in this dangerously fluid social fabric, were beautifully explored as the novel wove back and forth in time in the lives of the characters. I am putting the other works of Edward P. Jones on my "to be read" shelf immediately.

Catherine

There is probably an important and interesting story in here somewhere (for example, if it were actually about the widow of a black slave owner trying to run a plantation after her husband's death, as claimed on the book jacket). However, any plot that might exist was buried so deep beneath the convoluted chronology and extraneous characters and details that I decided I didn't care to keep digging for it, and quit on page 198. The author seemed determined to insert every existing anecdote about slavery into one novel. This might have worked better as a compilation of essays or short stories.

Monica

Gorgeously woven and incredibly interesting historical fiction about black slave owners, slaves, and the people who surround them in antebellum Virginia. At first I thought the shifting timeline might annoy me as being too postmodern, but the storytelling is epic and the characters are richly textured and sympathetic.Jones doesn't let anyone get away without blame in this book, but he manages to infuse even the most vile characters with enough motivation and rationalization for their actions. He understands that mostly good people do terrible things - it forces the reader to get out of the paradigm of evil that they've been comfortable falling in to. We are all capable of evil, and its best to know it so you can recognize the signs. Seriously, this book is marvelous. My favorite book I've read this year and I can't recommend it enough.

Aberjhani

Edward P. Jones' Bold Vision of "The Known World"This story would have been exciting enough based only on the fact that Edward P. Jones so boldly took the antebellum novel to a place it has never gone before; namely, to black slave-owner Henry Townsend's plantation in Manchester, Virginia. There, the "Known World" is wholly different from what one might expect. But this seemingly obviously absurd anomaly of U.S. history, wherein black masters owned black slaves, doesn’t stop with that rarely discussed fact. It is further illuminated by Jones' flights into the fantastic with observations of sentient lightning, children with the personalities of bitter grandparents, and, comically enough, freak chickens. Mixed within this potent literary brew are some of the most original and dynamic characters, male and female, ever to step into the pages of American fiction. In fact, one of more remarkable features of Jones’ amazing novel is his portrayal of how specific individuals sometimes managed to exploit the institution of slavery in order to indulge their own private needs, quirks, or agendas.It's true that the alternating biblical density and epic expansiveness of details and events with which Jones builds his narrative can at times prove challenging. However, this same aesthetic ultimately delivers a triumphant satisfaction. Jones' Pulitzer--and any other awards received for this novel--was well earned and deserved. by Author-Poet Aberjhani author of "Encyclopedia of the Harlem Renaissance" (Facts on File Library of American History) and "The Wisdom Of W.E.B. Du Bois" (Wisdom Library)

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