The Lord of the Rings (The Lord of the Rings, #1-3)

ISBN: 0618346244
ISBN 13: 9780618346240
By: J.R.R. Tolkien

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Classic Classics Currently Reading Fantasy Favorites Favourites Fiction Sci Fi Fantasy To Read Tolkien

About this book

Classics in the genre, J.R.R. Tolkien's definitive three-book epic, the Lord of the Rings (encompassing The Fellowship of the Ring, The Two Towers, and The Return of the King), and its charming precursor, The Hobbit. That many (if not most) fantasy works are in some way derivative of Tolkien is understood, but the influence of the Lord of the Rings is so universal that everybody from George Lucas to Led Zeppelin has appropriated it for one purpose or another. Not just revolutionary because it was groundbreaking, the Lord of the Rings is timeless because it's the product of a truly top-shelf mind. Tolkien was a distinguished linguist and Oxford scholar of dead languages, with strong ideas about the importance of myth and story and a deep appreciation of nature. His epic, 10 years in the making, recounts the Great War of the Ring and the closing of Middle-Earth's Third Age, a time when magic begins to fade from the world and men rise to dominance. Tolkien carefully details this transition with tremendous skill and love, creating in the Lord of the Rings a universal and all-embracing tale, a justly celebrated classic. --Paul Hughes

Reader's Thoughts

William

** spoiler alert ** This book changed my life. Before it I was a spotty 14 year old hooked on my science studies. Then I read LOTR, and, at the same time, discovered women existed and.....but thats enough of that. You want to hear about the book. By now there are few people who haven't at least heard of LOTR, and most of them have an opinion. There are the fans, almost fanatics, and there are the people who have read fifty pages or so, sometimes five or six times, but just can't get it, and don't understand what the fuss is about. I might have been one of them, if it hadn't been for an accident. I asked my local librarian to recommend a book for me as I had read all the Arthur C Clarke and Isaac Asimov works they had. She pointed me at LOTR, and handed me what she said was book 1 of 3. It was only when I got home I found I had book 2: The Two Towers. I arrived in the story just at the point where the first film ends - The Fellowship is broken and Frodo and Sam are heading for Mordor. I think that is what made me keep reading -I had started at a point of crisis and I needed to know what happened next. Of course I had a lot of blanks to fill in, but I managed to pick up most of them as I went along , and I caught up with the first book as soon as I'd finished the third. (I bought the big all-in-one paperback, the one with the yellow cover. If you were a student in the seventies it was obligatory to have one lying about, all battered and torn to show that it had been read several times. You used to see backpackers in their hundreds on the trains going south through Europe, all with this version of LOTR falling apart in their hands.) As for starting at the begining, I believe the reason a lot of people give up is that they are expecting heroes, wizards and high magic. What they get is, in great detail, the rural goings-on of a bunch of small hairy creatures who eat and drink a lot and seem to live in an idealised version of the Home Counties. Anyone who has read "The Hobbit" will know that there is more to the Hobbits than that, but newcomers often feel cheated and give up. They don't know what they're missing. The story only picks up AFTER Bilbo's birthday party, and after the passing of his ring of invisibility to Frodo. Gandalf, a wizard, discovers the true nature of the ring. It is a magic item of great power, belonging to Sauron himself, a dark god intent on taking dominion over the world. Gandalf tells Frodo that the ring must be taken to a place of safety, to Rivendell, where the high-elves hold out against Sauron. And so the great journey starts, with Frodo and his friends, Sam, Merry and Pippin, taking the road to Rivendell. On the way they have many adventures, and the mood begins to darken with the appearance of the dark riders, servants of Sauron intent on finding the ring. The travelling band is befriended by Strider, a ranger of the north, and he helps them get to Rivendell, but not before Frodo is wounded by the dark riders, and starts to understand the power of the ring. At Rivendell, many things are revealed; the history of the ring is told, Strider is shown to be Aragon, the rightful heir to the kingdom of Middle-Earth, and a fellowship is forged, of wizards, elves, dwarves, men and hobbits. They form a band of nine who will try to take the ring to Mount Doom, a volcano where the ring was forged, and which is the only place where it can be destroyed. And so the adventure truly begins. From here on we have battles in deep mountain mines, the loss of one of the Fellowship, encounters with elves in enchanted forests, treachery and betrayal leading to the breaking of the fellowship - and we're still in Book 1! Books 2 and 3 deal with the fight for middle-Earth, with Aragon and his allies taking the battle to Sauron and his minions and Frodo and Sam trying to reach Mount Doom to destroy the ring. There are huge, stirring, battle scenes, moments of humour (especially when the younger hobbits meet the Ents), spectacular feats of high magic when the White Rider enters the battle scenes, and moments of great friendship and tenderness - I defy anyone to have a dry eye when Sam and Frodo are parted at Shelob's lair. It all builds up to a terrific climax, and the story comes full circle back at Hobbitton where we see the effect the war has had on the rural life of the Hobbits. And that is why the beginning is important - you might not see it till right at the end, but it is teaching us a lesson about the value of the simpler things in life - respect them or lose them. Tolkein's genius lies in melding these simple aspects with world-shattering events, showing how even the "little people" have their part to play in the fight against the darkness. And he also knows that the best villain is a mysterious one....Sauron hardly appears at all in the books, but his dark presence stretches over everything, and he's always there, his evil eye seeing everything. I used to have nightmares about that large, red-rimmed eye, but that was before I discovered women, grew my hair, developed a liking for Hawkwind and Led Zeppelin, and started to write fantasy fiction. I've never been the same since...... but that's another long story.

Sakura87

Concedetemi un po' di autobiografismo, perché Tolkien non può essere recensito.Era il gennaio del 2002 quando gli amici del liceo mi invitarono a vedere un film d'avventura. Il Signore degli anelli, questo il titolo della pellicola, e per le mie conoscenze letterarie d'allora poteva benissimo essere la biografia di un gioielliere. Andai tuttavia a vederlo con loro, entrando in sala senza alcuna idea di ciò che avrei dovuto aspettarmi.Due ore e mezza dopo, uscii dalla sala con la bocca ancora aperta.Diciotto ore dopo tornai a vederlo da sola.Avevo finalmente ricondotto il titolo del film a un volume ingiallito e dalla rilegatura scassata che vagava periodicamente in giro per casa (la storica edizione Rusconi), continuamente prestato e restituito reciprocamente tra mio padre, mio nonno, mia zia e mio zio -di chi fosse quella copia, poi, mai si è saputo con certezza- da vent'anni a quella parte. La lettura, però, dovette attendere la trasposizione cinematografica de Le due torri, quando cioè compresi che non avrei mai potuto aspettare un anno per conoscere la fine della trilogia.Sono trascorsi quasi dieci anni dall'uscita del primo film, rivisto innumerevoli volte insieme ai suoi seguiti; un'altra volta ho letto il libro dopo la prima; una copia l'ho regalata a una persona per me importantissima, riuscendo a invogliarla al mondo della letteratura e del fantastico, e quella persona importantissima a sua volta mi ha fatto dono dell'edizione illustrata che ho appena finito di leggere. Adesso la copia ingiallita la sta leggendo mio fratello minore, e dopo essere passata tra le mani di mio nonno, mio zio, mia zia, mio padre, mie, credo sia giunto il momento che vada a lui.

David

Anyway, all my nerdy friends love this book and still talk about it- 25 years later. I certainly loved the Hobbit; but my goodness, what a bore LOTR is. I felt guilty, surely I had missed something. I read again (how eager to please I am); well at least join in their animated discourse. On my second read I think i nearly got to the top of Mount Doom with Frodo when I figured: 'Enough! Be gone with you wretched book. I will not be one of many and succumb to the clutches of peer pressure.' I returned to my chamber and lived happily ever after. So I thought. Jackson appeared with clever and powerful propoganda. My friends once again rubbed their hands and chirped in excited chorus. Again, against my will, I was drawn to the power of the book that would unite us all. I did watch the 3 films. I did fall alsleep in the 2 Tower ordeal. I perservered 'the Return'. Jackson did well. He maintained the detailed boredom of the book.

Baylee

Leggi la recensione su Lovely Dreams!La mia storia d'amore assoluto con Il Signore degli Anelli è iniziata quando avevo 12 anni. Me lo prestò una mia amica - sia benedetta! - e mi tenne incollata alle pagine fino alla fine (Appendici comprese). Da allora credo di averlo riletto almeno (e sottolineo almeno) una volta l'anno. E ogni volta mi emoziona come la prima.Credo sia impossibile rimanere indifferenti di fronte alla bellezza - alla perfezione - di questa trilogia. Non c'è niente che sia stato lasciato al caso, ogni elemento, ogni personaggio, ogni descrizione è lì per un motivo, per incastrarsi con precisione per formare il disegno della narrazione. Tolkien è semplicemente il Dio Creatore del suo universo e la sua Provvidenza dà il giusto Ordine agli eventi.Nessuno che dica di amare il fantasy può permettersi di non aver letto questo capolavoro. Sembra quasi un trattato sul fantasy tanto le sue pagine sono dense di significati. Non è mai banale, ma è al contempo è grandioso e magnifico, semplice e umile. Tolkien amava la bellezza e ne ha riversata con generosità nelle sue opere - e non solo la bellezza abbagliante degli Elfi, ma anche quella quotidiana e casalinga degli Hobbit. Ma conosceva anche l'orrore della guerra e lo squallore dell'odio: mai come ne Il Signore degli Anelli si avverte la follia del Male, ma anche la sua forza persuasiva.Il Bene vince, ma a quale prezzo: quello che è rotto non può tornare alla primitiva bellezza. Chi è stato ferito a fondo non può godere della vittoria, sempre memore dell'antica - e perduta - bellezza. Ma egli non ne sarà dispiaciuto: altri godranno della pace, prospereranno e vivranno la vita che lui non può vivere. E non è questa la suprema vittoria del Bene?

Werner

Actually, I read Tolkien's masterful Middle Earth fantasy corpus, beginning with The Hobbit in the early 70's and finishing the Lord of the Rings trilogy almost a decade later, before this anniversary edition came out. (I also read all four books to my wife in the early 80's; she loved them too!)This body of work is, of course, the genre-defining classic of modern fantasy --especially epic, or "high" fantasy -- which popularized the genre as the publishing market force it is today, exerted enormous influence over practically all subsequent fantasy authors (including R. A. Salvatore and Terry Brooks), and set the conventions readers would come to expect: a pre-technological setting, an epochal struggle between good and evil whose outcome is determined by magical factors, and a demand for personal moral growth on the part of the characters thrust into a pivotal role in that struggle. And Tolkien's depictions of wizards, elves, dwarfs, dragons, etc. became the template for all subsequent portrayals of these creatures.Part of the success of Tolkien's work derives from the breath- taking scope of his world-building, which reflects his day jobs as a philologist and medievalist; he created entire languages and folklores for his "Middle Earth," as well as a detailed, millenia-spanning history. But more importantly, as a devout Catholic, he embodied his deeply Christian world-view in the writing: his fantasy world (though he doesn't employ the kind of explicit Christian symbolism that C. S. Lewis does) is the scene of conflict between and evil with world-altering significance, under a superintending Providence, in which the individual moral choices of both the high and the lowly have significance, and temptation is an ever-present danger.

Gyst

These books were vastly influential, very interesting, but they are ultimately very boring to read.

Gemma

can be summarised as: walking, walking, walking, bit of fighting with orcs, walking, walking, walking, anguish, walking, walking, walking, bit more fighting with orcs, walking, walking, walking.

Brad

Twenty-five years ago I'd have given The Lord of the Rings my highest possible praise. I came to Tolkien's masterpiece on my own, and that meant much to me at twelve. The only books that had been reached by me alone were books on mythology and horror. Everything else I read, from DH Lawrence to Hemingway to Dickens to Shakespeare (and this also included Dracula and Dr. Jeckyll and Mr. Hyde because they were "true" classics), was suggested and sanctioned by my mother (for which I will always owe her deeply).But The Lord of the Rings was mine and mine alone. It is easy to forget that The Lord of the Rings was not a pop culture phenomenon in the seventies and early eighties. It was a fringe book (at least in North America), something that was not yet considered a part of the canon, something that was not a name on every boy's lips (even if they were just getting to know D&D) let alone every child's lips. Sure it was respected and loved by those who knew it, but knowing it was not a foregone conclusion as it is today, and its audience was almost completely genre oriented. In my little community (my school and the blocks surrounding my home), I was the first kid to read it.And that first reading was a revelation. Sure I'd read The Hobbit, but that didn't prepare me for the breadth and depth of The Lord of the Rings. Middle Earth in its grandest incarnation. To create a fantasy world is one thing, but to breathe life into ages of that world, to keep all the pieces together with such magnificent detail and rigour, to create character after believable character and make us care about most of them, even poor Smeagol/Gollum, that is a literary labour of Hercules. And by pulling it off, Tolkien created the single most important manifestation of Fantasy that has ever and will ever be written. The Lord of the Rings has rightly been named a classic. It is part of the canon, and it deserves its place. It is entertaining, it is weighty, and it is loved by nearly all.Aye...and there's the rub.Its indisputable greatness has made it indisputable. It has become dogma among fanboys and fangirls that the bastions of The Lord of the Rings are unassailable. Criticize Tolkien's work -- academically or otherwise -- and you put yourself in almost as much danger as a chatty atheist trying to engage in a theological discussion in a coliseum full of Jehovah's Witnesses (how many of those folks will make it into the afterlife? Isn't there a limit?).Feminist critics point out the lack of women in The Lord of the Rings, and that those women who are present fulfill only the narrowest stereotypes. Éowyn's strength is dependent upon adopting male gender qualities, a typical stereotype of "powerful women in fantasy," and she is alone amongst the Rohirrim as a woman who can and will fight. All other women in her culture are present as a reason to fight rather than as integral parts of the struggle. Arwen's place (in the books, at least) as a maiden waiting for the hand of her king takes the "reason to fight" to even greater heights. And the only powerful female, Galadriel as the terrible, beautiful elven Queen, is too far removed from mortality and reality to be anything more than a mid-tale deus ex machina, thereby removing her from the realm of women and men and making her a pseudo-god whose power is allowed only because it is arcane and mysterious. Post-Colonial critics have latched onto the racism inherent in The Lord of the Rings, pointing out the hierarchies between the races: from the "superiority" of the elves, to the "chosen" role of "European" Men of the West under the leadership of Aragorn, to the lesser races of Dwarves and Hobbits (the former are "lesser" because they are "too greedy" and the latter are "lesser" because they are children). Post-Colonialists look to the "orientalization" of Sauron's forces and the configuration of evil as an inherent quality of Orcs and "the dark folk." They point out Tolkien's family's history as a cog in the mechanism of English Imperialism, and his own birth in one of the most blatantly racist colonies of all, South Africa (while he did leave at three years old, his family's presence there at all suggests that some of the classic colonial opinions about the colonized "dark races" helped form the man who wrote these books), as possible reasons for this racism. These criticisms further suggest, at least to me, that the archetypal source of all fantasy's entrenched racism -- even those books being written today -- is The Lord of the Rings. Those fantasy authors who have followed Tolkien consistently and inescapably embrace his configuration of the races (yes, even those like R.A. Salvatore who try and fail to derail this configuration) and the concepts of good and evil that go along with them, which leads to the stagnation and diminishment of their genre.The fact is that these flaws do exist in The Lord of the Rings. They are present. They are easy to find. But few of Tolkien's rabid fans want to hear about them. And even when the criticism is not necessarily suggesting a flaw in Tolkien's work but merely the presence of some subtext, the dogmatists react with rage and condemnation. A fine example of this is when Queer and Gender theorists point to the overwhelming relationships between men, and how the relationship between Frodo and Sam is homosocial, at least, and possibly even homosexual. The only true intimacy in the book occurs between the men, after all, and to ignore that fact is to ignore one of key components of why The Lord of the Rings is so emotionally satisfying, especially to young men. Even faced with these ideas supported by convincing arguments, however, many fans either strive for ignorance or attack the messenger. This may have much to do with the worry -- unreasonable though it is -- that to admit that a flaw or something uncomfortable exists in any of these books, which so many people love so deeply, is to accept that The Lord of the Rings is neither great nor worthy of love.But this is not the case. I love The Lord of the Rings even though I subscribe completely to the post-colonial criticism, and see the merits in both the feminine and queer criticisms, not to mention the countless other criticisms and subtexts that are floating around.The books are racist; they are sexist. They are not perfect. And I must criticize the elements of The Lord of the Rings that make me uncomfortable and deserve no praise. But my complaints and the complaints of critics make Tolkien's achievement no less great. Tolkien created the most magnificent imaginary world ever conceived, and, for good or ill, Fantasy would be nothing today were it not for him. The Lord of the Rings is a triumph on countless levels, but it is not the word of God, nor should it be elevated to such heights.I love The Lord of the Rings, but I love it with reservations. I love it because of its place in my personal mythology, its genuine originality, its creativity, its power, but I love it with my mind open to its flaws, and I refuse to make excuses for Tolkien or his work.Twenty-five years ago I'd have given The Lord of the Rings my highest possible praise. Not today. But I am still willing to admit my love.

Geoff

This buch was wreckomeaned HIGHLY to me by MJ NICHOLLS. He is an writer to who wrote a buch called The Postmortem Blech which I havenot read bycause I haven’t solved the maize puzzle on the coover yet. (Spoiler it’s hard!) But I sure likked this Ring trilogism. There was short people with big feet and weird people who lived in the woods and I knew who all the evil people were because they looked the least like beautiful Caucasians. What else to say? MJ Nicholls has opened my reading lifes up to so many things, like Donnald Tart’s The Goldfinch, which one book of theyear on Goodreads and is feminist I think. MJ wrote a review of that that people yelled at. Okay bye.

Manny

Look at thisss, hobbitses! Not bought at flea market for ten francses. Catalogue says worth seven hundred dollarses. Oh yes, Not knows about bookses, gollum. But can't touch, can't read, she says too valuable. Going to eat fish instead, but nice birthday present, oh yes precious.

Paul

J.R.R. Tolkien has received so much attention over the last several years that it is becoming a popular sport to claim a dislike for his works. The title of "Father" of modern fantasy fits him well and anyone who has such unmitigated success is bound to attract a significant number of naysayers. For my own taste I find Tolkien to be charming and delightful, the stereotypical English county gentleman. His work is well crafted, the storyline is one that easily suspends disbelief. That is provided that you are willing to believe in magic rings and elves. However, I find real genius in the work of Tolkien, the savant father amongst lesser offspring.Reading LOTR again and again I find the genius of Tolkien is in the details. Like a finely crafted antique chest, the story is dovetailed to fit the cultures of so many diverse creatures. Tolkien was a linguist which explains his fascintion for the languages of the elves, orcs, ents, and various tribes of men. Beyond the languages though are the stories. One gets the feeling that if you were to follow the fellowship forever that the goldmine of endless stories of the realm might never run out. Everywhere that Tolkien took us in Middle Earth there were stories. Many of these stories were old, some ancient, but everyone and everything had a story. The true magic is in the interconnection of all those stories, each one weaving into the next. In the realm of great storytellers Tolkien may be the one that rules over all.

colleen the contrarian ± (... never stop fighting) ±

2.5And so begins my avoidance of epic fantasy.I like the story of LotR - I like the idea of it. I appreciate it's role in history, and the breadth and depth of Tolkien's world-building and involvement. (Though considering that it really is a take on Norse myth and all that, I sometimes wonder if we don't give Tolkien a little bit too much credit for creating the world.)But, anyway - while I like the idea of the story, and the gist of it, my problem comes with the telling.There are tangents and back-histories of people's father's fathers that aren't really relevant. And the poems - my gods, the poems. Written in another language that then had to be translated, taking up another 5 pages.And with Tolkien begins the overly-descriptiveness of minutae that many writers of epic fantasy seem to think is necessary for world-building, but is really just odious.Oh, I know I'm in a minority - a fan of fantasy who thinks Tolkien is not a god. Like I said, I give him credit for what he did, but I think he could've used some serious editing. Also, aside from the above, I *hated* the way the telling was broken up, where we went through a whole section of time from Sam and Frodo's perspective, and then went back and went through the same thing from everyone elses perspective. It wouldn't flowed so much better if the stories were more intertwined.I can't fathom the people who love this book so much they reread it every year, but to each their own. I can respect that. But I found it a struggle to get through it just once - and that was with a prodigous use of skimming the find the plotline when he went off on one of his tangents.Note for modern writers - just because you have some backstory, or some detail, that you have in your mind, doesn't mean it has to be written into the story. If it's not directly relevant to the plot, then let it go. Seriously. It's ok.Even some fans of the book admit that characterization is a bit thin, and perhaps that's my biggest problem. Some people get lost in the details. They become enraptured in the world via these details, so that they feel like they can see and breath the world.For me, I'm all about character. I need to empathize and care. This is my ticket into any book or movie. I ate up a book many didn't like - Jonathan Strange and Mr. Norrell - precisely because I was enthralled and intrigued by the characters from the start.But the characters in this book are, by and large, role-playing pieces in order to fit the raid, erm, story. By the way, the only reason I came back to write a review on this is because I'm so tired of reading about how you have to read Tolkien because he's sooo wonderful. I mean, great, if you love the books then I'm happy for you and I can see why people do like them - I really do, even though I struggled with them. But to act like it's some sort of blasphemy to not like them really irritates me. Which is why this is more of a half-coherent rant than a review. My apologies - but I don't think anyone is an idiot for liking the book, and I'm tired of hearing the implication that I'm some kind of idiot because I found it less than enthralling.I wish I liked it more - I really do.Anyway, it's really a shame, though, because if Tolkien had built the world and the ideas and given them to a better story-teller, then this could've been so much better. All the elements are there - it's just the telling is a drag. And, in some ways, that's exactly what Tolkien did - and perhaps that is his true legacy.That said, I liked The Hobbit. Maybe it's because he wrote it for his children, or because he didn't feel the need to cram in so much academia and minutae, but The Hobbit just reads as a better story.

Joe

1985-First read when I was about 12. Thoroughly enjoyed it then.7/97-Although the battle scenes were difficult to follow, the Elven stuff sentimental and dialog of less developed characters (Legolas, Gimli) sometimes melodramatic, there were plenty of tense moments that made up for at all. The black riders in the 1st book, the tenuous alliance with Gollum and the horrifying scene with Shelob were the most exciting parts of the trilogy. The cleansing of the shire was triumphant. 2001--[Audio]. I started reading this to my daughters, but they were too young still. I couldn't put it down once I began, though, so I got the tapes so I could "read" it despite grad school and church duties. I absolutely loved the reading by Rob Inglis. His voice characterization is delightful. I don't know why I enjoyed the story less the last time. This time, I was totally engrossed. I found so much depth of meaning in the struggle of the ring bearer, Frodo. I also have decided that Sam is the most heroic character in all fiction. And his bravest moment is not when he takes on Shelob. It is when he takes the ring and makes the terrible choice to continue on alone. I can't wait for the movie!

Kanova

I was forced to read this book. Each member of my first book club had an opportunity to choose the book we read. When one of the members chose The Lord of the Rings I was not happy. Fantasy is not my genre! But I was a good book club member and read it anyway.I loved it! There were times when I did not want to sleep because I wanted to finish just one more page or chapter. Tolkien creates whole worlds, languages, species, and histories. It is epic in its scope. Somehow he manages to entertain, make you think, and visualize the world he describes. It taught me a lesson about being open to new things, because sometimes by being open you can be richly rewarded.

mark monday

not a review and there probably won't be one any time soon. i also won't be climbing Mount Everest in the near future. but here are some cool illustrations that i found and want to share. World of the Ring by Jian Guo

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