The Lord of the Rings (The Lord of the Rings, #1-3)

ISBN: 0618640150
ISBN 13: 9780618640157
By: J.R.R. Tolkien

Check Price Now

Genres

Classic Classics Currently Reading Fantasy Favorites Favourites Fiction Sci Fi Fantasy To Read Tolkien

About this book

A fantastic starter set for new Tolkien fans or readers interested in rediscovering the magic of Middle-earth, this three-volume box set features paperback editions of the complete trilogy -- The Fellowship of the Ring, The Two Towers, and The Return of the King -- each with art from the New Line Productions feature film on the cover.J.R.R. Tolkien's The Lord of the Rings trilogy is a genuine masterpiece. The most widely read and influential fantasy epic of all time, it is also quite simply one of the most memorable and beloved tales ever told. Originally published in 1954, The Lord of the Rings set the framework upon which all epic/quest fantasy since has been built. Through the urgings of the enigmatic wizard Gandalf, young hobbit Frodo Baggins embarks on an urgent, incredibly treacherous journey to destroy the One Ring. This ring -- created and then lost by the Dark Lord, Sauron, centuries earlier -- is a weapon of evil, one that Sauron desperately wants returned to him. With the power of the ring once again his own, the Dark Lord will unleash his wrath upon all of Middle-earth. The only way to prevent this horrible fate from becoming reality is to return the Ring to Mordor, the only place it can be destroyed. Unfortunately for our heroes, Mordor is also Sauron's lair. The Lord of the Rings trilogy is essential reading not only for fans of fantasy but for lovers of classic literature as well...Librarian's note: this edition shares an ISBN with the 2004 edition published by Houghton Mifflin Company

Reader's Thoughts

Shawn

I first read The Hobbit and the three volumes of Lord of the Rings (earlier editions, obviously)in the late summer of 1969 after being given The Hobbit by a friend I'd worked with that summer on an archaeological dig on Washington Island, Wisconsin. I'd scoffed at the idea of college students reading these (as I described them) "children's books", but when she gave me the book I promised I'd read it and began late one night shortly after, while I was staying at my parents home before heading off to start my senior year. I was just finishing when my father got up to go to work. I napped for a couple of hours until the book store opened and went to purchase the trilogy. During the next three days, I read them all, stopping only for food and sleep. I was entranced, and my parents thought I had gone insane in the course of my summer on the island.I read all of the books twice more in the 80s and 90s, and even read The Hobbit in German. Today I suppose I'd give them 4 rather than 5 stars, but at the time there's no doubt that I found them absolutely amazing. Thanks, Anne, wherever you are!

Jon

LOTR has its faults, yes: it can be excessively descriptive; female characters (even the important ones) aren't as fully fleshed-out and realized as male characters (Arwen spends most of the books making a flag); Gandalf annoyingly and constantly points out how everyone else's decisions are wrong; the refusal to interweave chapter-by-chapter the stories of Frodo & Sam with the stories of everyone else results in literally hundreds of pages going by without mention of the majority of the main players' names; the Tom Bombadil section (as much as I like it) has literally nothing to do with the last four-fifths of the trilogy (yes, I realize it's actually a hexalogy, but most people haven't the slightest clue what that means); and I could probably go on for quite some time. Why, then, do I give this book five stars? Quite simply, it's perhaps the single most read, reviewed, and revered fantasy novel since the genre was invented. The list of authors who have been directly influenced by LOTR would stretch longer than the space given me in this text box, and it's virtually impossible to publish any novel of high fantasy in the modern era without being compared to Tolkien (try it: just go to your local bookstore and start plucking books off the shelf in the Fantasy section--I'll bet you a dollar that within thirty seconds you'll find one with a review that compares it to LOTR). Plus, it's one of the few books (I purposely group them together here for purposes of simplification--plus, my copy has all six books plus appendices in one massive paperback-bound edition) that I've read more than ten times, and every time I read it, I enjoy it more than the last. For all of its faults, I wouldn't change a word of it.

Geoff

This buch was wreckomeaned HIGHLY to me by MJ NICHOLLS. He is an writer to who wrote a buch called The Postmortem Blech which I havenot read bycause I haven’t solved the maize puzzle on the coover yet. (Spoiler it’s hard!) But I sure likked this Ring trilogism. There was short people with big feet and weird people who lived in the woods and I knew who all the evil people were because they looked the least like beautiful Caucasians. What else to say? MJ Nicholls has opened my reading lifes up to so many things, like Donnald Tart’s The Goldfinch, which one book of theyear on Goodreads and is feminist I think. MJ wrote a review of that that people yelled at. Okay bye.

Audrey *Ebook and Romance Lover*

January 11th, 2014Lord of The Rings by J.R.R. Tolkien better surprise me :)Loved the movies and also the two hobbit ones that were recently made :)Its 1,178 pages...so wish me luck my friends! I know this will be a five star for me. It might take me a month at least.

Kristin Little

Save time... watch the movies. This book can appeal only to a linguist. The underlying story is great, but it is buried under an avalance of horribly annoying songs and poems that do nothing to advance the story. They just take up space. I diligently read every last one, hoping that they held some deep meaning in relation to the story, but if there is one, it is so obscure that it serves no purpose. Also, the book is all about walking. Yes, I know they are on an epic quest, and there has to be soul-searching, etc., but the amount of detail regarding the walking is a snoozer! 45 pages of walking and 3 pages for a huge battle. AUGH! I know that this is a masterpiece, and I agree that the plot line is a beautiful tale of good and evil and power and corruption. However, reading this series was a drudgery. The only really good part that you miss in the movies is when the hobits return to the Shire in the last three chapters of The Return of the King. If you want a Tolkien fix, I'd reccommend The Hobbit.

Joe

1985-First read when I was about 12. Thoroughly enjoyed it then.7/97-Although the battle scenes were difficult to follow, the Elven stuff sentimental and dialog of less developed characters (Legolas, Gimli) sometimes melodramatic, there were plenty of tense moments that made up for at all. The black riders in the 1st book, the tenuous alliance with Gollum and the horrifying scene with Shelob were the most exciting parts of the trilogy. The cleansing of the shire was triumphant. 2001--[Audio]. I started reading this to my daughters, but they were too young still. I couldn't put it down once I began, though, so I got the tapes so I could "read" it despite grad school and church duties. I absolutely loved the reading by Rob Inglis. His voice characterization is delightful. I don't know why I enjoyed the story less the last time. This time, I was totally engrossed. I found so much depth of meaning in the struggle of the ring bearer, Frodo. I also have decided that Sam is the most heroic character in all fiction. And his bravest moment is not when he takes on Shelob. It is when he takes the ring and makes the terrible choice to continue on alone. I can't wait for the movie!

Baylee

Leggi la recensione su Lovely Dreams!La mia storia d'amore assoluto con Il Signore degli Anelli è iniziata quando avevo 12 anni. Me lo prestò una mia amica - sia benedetta! - e mi tenne incollata alle pagine fino alla fine (Appendici comprese). Da allora credo di averlo riletto almeno (e sottolineo almeno) una volta l'anno. E ogni volta mi emoziona come la prima.Credo sia impossibile rimanere indifferenti di fronte alla bellezza - alla perfezione - di questa trilogia. Non c'è niente che sia stato lasciato al caso, ogni elemento, ogni personaggio, ogni descrizione è lì per un motivo, per incastrarsi con precisione per formare il disegno della narrazione. Tolkien è semplicemente il Dio Creatore del suo universo e la sua Provvidenza dà il giusto Ordine agli eventi.Nessuno che dica di amare il fantasy può permettersi di non aver letto questo capolavoro. Sembra quasi un trattato sul fantasy tanto le sue pagine sono dense di significati. Non è mai banale, ma è al contempo è grandioso e magnifico, semplice e umile. Tolkien amava la bellezza e ne ha riversata con generosità nelle sue opere - e non solo la bellezza abbagliante degli Elfi, ma anche quella quotidiana e casalinga degli Hobbit. Ma conosceva anche l'orrore della guerra e lo squallore dell'odio: mai come ne Il Signore degli Anelli si avverte la follia del Male, ma anche la sua forza persuasiva.Il Bene vince, ma a quale prezzo: quello che è rotto non può tornare alla primitiva bellezza. Chi è stato ferito a fondo non può godere della vittoria, sempre memore dell'antica - e perduta - bellezza. Ma egli non ne sarà dispiaciuto: altri godranno della pace, prospereranno e vivranno la vita che lui non può vivere. E non è questa la suprema vittoria del Bene?

Kanova

I was forced to read this book. Each member of my first book club had an opportunity to choose the book we read. When one of the members chose The Lord of the Rings I was not happy. Fantasy is not my genre! But I was a good book club member and read it anyway.I loved it! There were times when I did not want to sleep because I wanted to finish just one more page or chapter. Tolkien creates whole worlds, languages, species, and histories. It is epic in its scope. Somehow he manages to entertain, make you think, and visualize the world he describes. It taught me a lesson about being open to new things, because sometimes by being open you can be richly rewarded.

MJ Nicholls

Those books that balloon into virulent, lethal pop-culture viruses that feast on disinterested bystanders. You try to flee them by hiding in a disused warehouse under a soiled mattress in the Democratic Republic of Congo, but Frodo and his friends will find you eventually and pull you into their lair of medieval gimps called Bilbo and Bongo on an implausibly long and homoerotic quest for a misplaced ring. Did they look behind the sofa? Under the fridge? This whole quest could have been avoided! But here’s what I resent about Lord of the Rings. I have been physically, cosmically unable to avoid it. And that hurts. One thing I pride in life is my ability to avoid participating in popular culture in its many-tentacled forms. Since the creation of Dungeons & Dragons and the games it spawned I have been on countless pointless quests for rings. How many rings did I pick up in Sonic the Hedgehog? Millions. Computer programmers adopted this book as their bible, and the subsequent two decades of game innovation (which I addictively participated in) took their “plot” templates from Tolkien. When I left this world, a series of blockbusting films filled up the media pipes like fast-acting carbon monoxide being pumped into my front room year after year as the endless insufferable saga to find a missing fucking ring droned on and on infecting comedies, dramas, films and books with reference after reference after reference. How dare you, Lord of the Rings, invade my cultural happy place so brutally, you ubiquitous beardy bastard? Why can’t you leave me alone? Your ubiquity has devalued any artistic merit the books might have had for me completely. Happy now?

Gemma

can be summarised as: walking, walking, walking, bit of fighting with orcs, walking, walking, walking, anguish, walking, walking, walking, bit more fighting with orcs, walking, walking, walking.

Manny

Considering that The Lord of the Rings is one of the most popular books of the last century, it's surprising to see how few reviews there are here. I get the impression that many people feel guilty about liking it. It's a phase you go through, and the less said about it, the better. I think this is unfair to the book, which, I am prepared to argue, is a whole lot better than it's generally made out to be; I don't think its huge success is just evidence that people have no taste. It's something that can be read at more than one level, and, before dismissing it, let's take a look at what those levels might be. On the surface, it's a heroic fantasy novel, and quite a good one. It's a gripping, well-realized story, with an interesting fantasy world as background. Under the surface story, it's also clear that there's a moral discourse. It's not an allegory; as Tolkien points out in the foreword, he hated allegory, and we certainly don't have an in-your-face piece of Christian apology by numbers. None the less, the author has constructed some inspiring and thought-provoking symbols. The Ring confers great power, but the only way to defeat Sauron is to refuse that power, and destroy it, even at great personal cost. Frodo's self-sacrifice is quite moving. I also think that Gandalf is an unusually interesting Christ-figure; sufficiently so that many people refuse even to accept him as one, though, at least to me, the argument on that point seems convincing. He comes from Valinor, obviously the Heavenly Realm, to help the Free Peoples of the West. A central part of his message is the importance of mercy, as, in particular, shown by the memorable scene near the beginning, when he rebukes Frodo for wishing that Bilbo had killed Sméagol when he had the opportunity. As we discover, Sméagol is finally the one person who can destroy the Ring. And let's not miss the obvious point that Gandalf is killed, and then returns reborn in a new shape. I find him vastly more sympathetic than C.S. Lewis's bland Aslan, and he is the book's most memorable character.But I don't think the morality play is the real kernel either. What makes LOTR a unique book, and one of the most ambitious experiments in literary history, is Tolkien's use of names. All authors knows how important names are, and use them to suggest character; though when you think about what is going on, it is rather surprising how much can be conveyed just by a name. Proust has a couple of long discussions about this, describing in great detail how the narrator's initial mental pictures of Balbec, Venice and the Guermantes family come just from the sounds of their names. Tolkien goes much further. Most of his names are based on a family of invented languages, linked by a vast complex of legends and histories, the greater part of which are invisible to the reader and only surface occasionally. The astonishing thing is that the technique actually works. The interrelations between all the invented names and languages make Middle-Earth feel real, in a way no other fantasy world ever has. When some readers complain that characters and locations are hastily sketched, I feel they are missing the point. Tolkien was a philologist. He loved languages, words and names, and tracing back what the relationships between them say about their history. In LOTR, he's able to convey some of that love of language to his readers. You have to read the book more than once, but after a while it all comes together. To give just a few obvious examples, you see how "hobbit" is a debased form of the word holbytla ("hole-dweller") in the Old Norse-like language of Rohan, how the "mor" in "Moria" is the same as the one in "Mordor" and "morgul", and how Arwen Undómiel's name expresses her unearthly beauty partly through the element it shares with her ancestor Lúthien Tinúviel. There are literally hundred more things like this, most of which one perceives on a partly unconscious level. The adolescent readers who are typically captivated by LOTR are at a stage of their linguistic development when they are very sensitive to nuances of language, and programmed to pick them up; I can't help thinking that they are intuitively seeing things that more sophisticated readers may miss.Perhaps the simplest way to demonstrate the magnitude of Tolkien's achievement is the fact that it's proven impossible to copy it; none of the other fantasy novels I've seen have come anywhere close. Tolkein's names lend reality to his world, because he put so much energy into the linguistic back-story, and before that worked for decades as a philologist. Basically, he was an extremely talented person who spent his whole life training to write The Lord of the Rings. In principle, I suppose other authors could have done the same thing. In practice, you have to be a very unusual person to want to live that kind of life.Writing this down reminds me of one of the Sufi stories in The Pleasantries of the Incredible Mullah Nasrudin. The guy is invited to a posh house, and sees this incredibly beautiful, smooth lawn. It's like a billiard table. "I love your lawn!" he says. "What's the secret?""Oh," his host says, "It's easy. Just seed, water, mow and roll regularly, and anyone can do it!""Ah yes!" says the visitor, "And about how long before it looks like that?""Hm, I don't know," says the host. "Maybe... 800 years?"

mark monday

not a review and there probably won't be one any time soon. i also won't be climbing Mount Everest in the near future. but here are some cool illustrations that i found and want to share. World of the Ring by Jian Guo

David

Anyway, all my nerdy friends love this book and still talk about it- 25 years later. I certainly loved the Hobbit; but my goodness, what a bore LOTR is. I felt guilty, surely I had missed something. I read again (how eager to please I am); well at least join in their animated discourse. On my second read I think i nearly got to the top of Mount Doom with Frodo when I figured: 'Enough! Be gone with you wretched book. I will not be one of many and succumb to the clutches of peer pressure.' I returned to my chamber and lived happily ever after. So I thought. Jackson appeared with clever and powerful propoganda. My friends once again rubbed their hands and chirped in excited chorus. Again, against my will, I was drawn to the power of the book that would unite us all. I did watch the 3 films. I did fall alsleep in the 2 Tower ordeal. I perservered 'the Return'. Jackson did well. He maintained the detailed boredom of the book.

Scurra

To even attempt to review Tolkien's epic is like measuring the coastline - the deeper you go, the more there is to find (or, as the more cynical might put it, the longer it gets.)And it's because it is so many different stories and, indeed, types of story, all melded together into one (at times unwieldy) whole. So, for example, you can read it as a poetry book. Skip all the narrative sections and just read the verse. You'll be surprised at how much of the narrative structure remains intact, and how the themes of loss, redemption, love and courage are still present. Likewise, I often tell people who got frustrated with the "hobbit stuff" at the start to skip straight past that and just read Aragorn's story instead, which is far easier to relate to.So the shifts in tone and style are not signs of bad writing, they are deliberate echoes of the different mythic forms he used as his original model for creating the world of Middle Earth. And it's this underpinning that makes the book so special - his characters live in a world that has its own intricate mythos that they can casually refer to, almost as though they expect the reader to know the stories just as intimately. In the way that an author today could refer to, say, the story of Romeo & Juliet and expect the reader to know the basics, here Aragorn talks about Beren & Luthien in the same way - and we (as readers) realise that we have no idea who these people are - but that those characters do. And, more importantly, that that story has absolutely nothing to do (in plot terms) with the one we are reading (except insofar as establishing a parallelism for Aragorn & Arwen.) It's a common flaw, especially in fantasy fiction, for the world to exist solely for the story that is being told; what makes Middle Earth so special is that, for all its inconsistency and implausibility, it really does have large parts of history that are nothing to do with The One Ring.Tolkien originally set out to create a mythology for England. He ended up doing more than that - and for that we should all be grateful.

Dolly

I read Lord of the Rings first when I was about eleven or so, and then stayed up all night at a hip boy/girl party in the bathroom with Nathan O. ... talking about ents and elves and whether Tom Bombadil was God. Yes, I was a geeky child. However, all these years later, the story has stuck with me. First a warning: Don't read Tolkien if you don't appreciate true-omnicient-narrator-style epics. Tolkien isn't a master character builder: he leaves all that to the reader's imagination. The agony in the Aragorn/Arwen romance -- so blatant and operatic in the movies -- was a longing look on Strider's face at Rivendell, an odd comment from Bilbo, and a short no-nonsense Appendix. As with many of the themes in this work, the romance and deep character relationships must be picked from between the lines.And there is so much between the lines here. The world of Middle-earth lives, utterly lives. Instead of tugging on what-ifs, this fantasy forces readers to imagine. Tolkien's work is the fullest realization of literary world building ever penned.It is also sophisticated writing, drawing on older forms (epic, romance, tragedy). Tolkien doesn't waste time writing snappy dialogue: the story is too epic to dwindle to individual persons. However, voice shifts subtly depending on point of view: chapters dealing with hobbits contain much more dialogue and detail; chapters dealing with Rohirrim have a poetic rhythm reminiscent of extant Middle English works; chapters dealing with elves are magic and blurry and hard to wrap a mind around. These shifts in style, far from being a novice writer's oops, are intentional and serve as mass characterisation of races and groups. So, what Tolkien foregoes in terms of dialogue he replaces with style and action: a classic example of show not tell.Having just spouted all that praise, I have to admit that all the criticisms are true: the story does resound with Luddite anti-industrial metaphors, overt Christian themes of salvation and spirit, a structural decision to include songs that doesn't quite work, and fantasy tropes that are now cliche ... now that everyone else has copied them, that is. The thing to remember is that this book started the genre: everything fantasy, from Philip Pullman to George RR Martin, exists in the shadow of this opus.So, no, it isn't a popcorn read. Get over it. If you invest the time and spirit to read this work, you will be glad you did.

Share your thoughts

Your email address will not be published. Required fields are marked *