Treasure Island

ISBN: 0517221144
ISBN 13: 9780517221143
By: Robert Louis Stevenson Milo Winter

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Adventure Childrens Classic Classics Currently Reading Favorites Fiction Historical Fiction To Read Young Adult

About this book

Unrivaled in literature, Stevenson's Treasure Island is among the most delightful adventure romances of all time. From young Jim Hawkins' first encounter with an old buccaneer and his tresure map to the final daring skirmish with the treacherous pirate Long John Silver, this classic work enchants and fuels the imagination with beautiful illustrations.

Reader's Thoughts

John Yelverton

Classic tale of the sea and pirates. A must read for all young readers.

Jason Pettus

(Reprinted from the Chicago Center for Literature and Photography [cclapcenter.com:]. I am the original author of this essay, as well as the owner of CCLaP; it is not being reprinted here illegally.)The CCLaP 100: In which I read for the first time a hundred so-called "classics," then write essays on whether or not they deserve the labelEssay #32: Treasure Island (1883), by Robert Louis StevensonThe story in a nutshell:Inspired by a doodle from his step-son and originally written as a rainy-day family diversion, the slim 1883 children's book Treasure Island (originally published serially in 1881 and '82) was not only the first novel of sickly genre author Robert Louis Stevenson's short career, but eventually one of his most famous. Essentially the tale of young adventurer Jim Hawkins, the story opens with him as a dutiful mama's boy off the southwest coast of England, helping to run a family inn that sees little action because of being located much more inland than most of the other local sailor-oriented hotels. Ah, but this is exactly what brings the drunken, scary Billy Bones there, where it becomes quickly apparent that he is on the run and in semi-hiding from a whole crew of mysterious, nefarious characters; and when they finally show up after Bones' alcoholism-related death, the family realizes that they are in fact pirates, on the hunt for a treasure map that Bones stole from a recent mutinous voyage that went horribly, horribly wrong. This then convinces a group of local Victorian gentlemen and family friends to go after the treasure themselves, eventually buying a boat and hiring a local crew to take them to this far-off tropical island; but little do they realize that the sailors they've hired are none other than the surviving pirates of the former mutiny, led by the charismatic yet psychopathic one-legged "ship's cook" Long John Silver, who plan on turning on the ship's owners once actually reaching the island and retrieving the treasure they were forced to leave behind during their last voyage. The rest of the book, then, is essentially an adventure tale, full of all kinds of legitimate surprises that I won't spoil here; let's just say that a lot of swashbuckling takes place, that many details regarding ship-sailing are faithfully recorded, and that the day is eventually saved by our fast-thinking teenage hero Jim, no surprise at all for a book designed specifically to amuse fellow teenage boys.The argument for it being a classic:Well, to begin with, it's arguably the most famous pirate tale ever written, and in fact established for the first time many of the stereotypes now known within the genre, including one-legged buccaneers, treasure maps with a big 'X' on them, shoulder-sitting parrots squawking "Pieces of eight! Pieces of eight!," and even the very idea of British pirates being associated with exotic tropical islands in the Caribbean, an association now so strong that it's almost impossible to separate the two; and of course it's also the novel that created the unforgettable Long John Silver, now a thoroughly ingrained part of our Western culture at large. Add to this that it's simply an incredibly thrilling tale (rumor has it that England's Prime Minister at the time stayed up until two in the morning to finish his first reading of it), that it still holds up surprisingly well even 126 years later, and that it's also of immense importance to fans of Stevenson, a prolific author whose genius is just now starting to be widely recognized, after being dismissed by the literary community for almost a century as a frivolous "kiddie writer;" and now add to all this that Treasure Island is a surprisingly sophisticated examination of the era's ethics and moral code as well, taking an unblinking look at the "Victorian Ideal" as manifested in different ways among the stuffy gentlemen "heroes" (unable to improvise in changing circumstances, much to their detriment), the anarchic pirate villains (who almost kill themselves off just on their own, through drunkenness, ignorance and jealousy), and the ruthless yet principled Silver who straddles both these extremes.The argument against:A weak one at best; like many of the genre prototypes of the late Victorian Age, one could argue that this is simply too flippant a tale to be considered a classic. But we already established a long time ago here at the CCLaP 100 that genre stories are indeed eligible for "classic" status in this series, making this argument inapplicable in our case.My verdict:Holy crap! What an incredible book! And what a refreshing change in this case to not have to add my usual caveat to statements like these regarding late Victorian genre experiments: "...you know, for a century-old children's story that's kind of outdated and that you need to take with a grain of salt." Because the fact is that Treasure Island to this day still reads as fresh and exciting as the day it came out, which is a real testament to the writing skills of Robert Louis Stevenson (who I was already a big fan of before this essay series even started, because of his superbly creepy and also surprisingly relevant Strange Case of Dr. Jekyll and Mr. Hyde); what a shame that this illness-plagued author ended up dying at the age of 44 in the prime of his career, instead of surviving to pen the truly mindblowing mature works I'm convinced that he had been capable of. And it's exactly for the reasons that his fans bring up that this book remains such an amazing one, and how it is that it can still easily be read for pleasure instead of having to force one's way through for historical purposes; because it is indeed not only a thrilling adventure tale, not only written in a style that largely rejects the purplish finery of the Victorian Age in which it was created, but is also a deceptively complex look at the entire nature of "gentlemanness" that was so prevalent at the time, gently poking holes in the entire notion of what it means to be a Refined Citizen of the Empire, even while acknowledging that a complete disavowal of these gentlemanly standards is even worse. There's a very good reason that Long John Silver has endured so strongly in our collective imagination over the last century, when so many other fictional pirates have fallen by the wayside, because he turns out to be a surprisingly complicated character worth coming back to again and again, a vicious killer but with a consistent internal moral code worth perversely admiring; it's but one of many reasons that I confidently label this book a undeniable classic today, and highly recommend it to anyone on the search for the best of 19th-century literature.Is it a classic? Absolutely

midnightfaerie

Treasure Island was a swash-buckling adventure where the stakes were high and the Gentlemen of Fortune weren't so gentle when seeking their fortune. I absolutely loved this book. Having never read it before, I picked it up because it looked to be a quick read, and I had books on route to my house and not much time before they got here, I thought I'd get another quick read off my list of classics. Immediately upon reading I wanted to get on a boat and search for buried treasure, but settled for playing in the sandbox in the backyard. Stevenson brings to life characters in a new and frightening way that held me captivated, in which Strange Case of Dr. Jekyll and Mr. Hyde failed to do. He writes in such a way in this novel, that the characters come to life vividly and with great detail in my mind as I read, even though, when I later went back to re-read parts, the characters weren't defined nearly as minutely as I thought they were. I don't attribute this to my own imagination though. I think Stevenson's brilliance lies in the meticulous vagueness of his descriptions, allowing the reader to take the direction of their choosing with the character's appearance. A perfect example of this is in Ben Gunn. My husband and I were watching Treasure Island with Eddie Izzard, and he commented on the age of Gunn, saying he'd seen another movie where he was old, opposed to this one, in which he was younger in age. So then I thought back to the book and wondered, what age was he? So I looked it up, and really, it could be interpreted in so many ways: "...unlike any man I had ever seen, stooping almost double as it ran..." - As an animal or from old age? "...his voice sounded hoarse and awkward, like a rusty lock. I could now see he was a white man like myself, and that his features were even pleasing. His skin, wherever it was exposed, was burnt by the sun; even his lips were black; and his fair eyes looked quite startling in so dark a face. Of all the beggar men I had seen or fancied, he was the chief for raggedness." - Old? Young? "...I was a civil, pious, boy..." - Speaking of when he was young, makes me see him as older. "You're a good lad, Jim..." - He calls Hawkins a lad, which makes him seem older to me, but then, how old is old? For the time it was and the longevity of life span, especially for the pirates with so hazardous a life, they didn't live long. So maybe in his thirties? Besides the wonderful characters, the chapters were breathtaking, causing me to sit at the edge of my seat with each page turn. What a wonderfully suspenseful tale with such colorful inhabitants! Even the slang was picturesque, with nicknames like "Barbeque" for Silver, and "Long John's Earrings" for the ropes strung across the ships decks that allowed our favorite character to pass easily from port to starboard with his one leg. And even though the movie I saw gave a satisfying death to the despicable Trelawney, I'm rather glad that the book left him alive at the end. It wasn't what I expected and it was more true to life. The abhorrent man, who puts himself off as one of the good guys, never seems to be the one with a bad run of luck. And although Muppet Treasure Island was not exactly true to the original story, (the Captain a frog?), it was still surprisingly accurate in most aspects of the novel, which is something I've always enjoyed about the Muppets, especially in The Christmas Carol. Overall, it was a superb book and an intoxicating adventure. A natural classic, with a huge following, underlying themes, and above all, a great deal of the Magic Factor, it's a story that will live through the ages and continue to be adapted in many ways and various forms for years to come. Treasure Island is a beloved tale for both young and older readers alike. I highly recommend it. ClassicsDefined.com

Paul

In one of Manny's 1,682 reviews - no, I can't remember which one** - he says that it must have been incredibly exciting being an avid reader of modern novels in the 1880s and 1890s. Not only were they churning out great classics at a rate of knots, they were inventing whole genres - Dracula, Sherlock Holmes, Picture of Dorian Gray, HG Wells - and Treasure Island is one of those, a novel which invented a whole a-harr talk like a pirate genre. Stevenson's prose is quite magical, he absolutely convinced me with his descriptions of winds and seas and gunnels and jibs and booms and mizzenmasts and fo'c'sles (it's okay, you can print the whole word - forecastle - there - the printer won't charge you any more) and all of that. Plus, some of the ripest dialogue anywhere -"If that ain't to your fancy, some of my hands being rough, and having old scores, on account of hazing, then you can stay here, you can. We'll divide stores with you, man for man; and I'll give my affy-davy as before to speak the first ship I sight, and send 'em here to pick you up... Refuse that, and you've seen the last of me but musket-balls.""There!" he cried. "That's what I think of ye. Before an hour's out, I'll stove in your blockhouse like a rum puncheon. Laugh, by thunder, laugh! Before an hour's out ye'll laugh on the other side. Them that die'll be the lucky ones.Cap'n Flint says : As well as a ripping yarn, it's also a nifty dissection of the concept of being a "gentleman" which you may take sociologically, politically or psychologically, as suits ye best, ye lubbers. Squaaawk! Pieces of eight! A tot of rum would go down a treat! Skwawwwk!**Update : I found a previous note I'd already written so I can confirm that it was Manny's review of A Rebours where he says :It must have been so exciting to be a novelist in the second half of the nineteenth century. You weren't limited to just creating a novel; if you were talented, you could create a whole new kind of novel. http://www.goodreads.com/review/show/...1883 : Treasure Island – Robert Louis Stevenson1885 : Germinal : Emile Zola 1886 : The Strange Case of Dr Jekyll and Mr Hyde : R L Stephenson 1891 : The Picture of Dorian Gray – Oscar Wilde, 18911892 : The Adventures of Sherlock Holmes : Sir Arthur Conan Doyle 1895 : The Time Machine : H G Wells 1897 : Dracula : Bram Stoker 1898 : The Turn of the Screw : Henry James 1898 : The War of the Worlds – H G Wells

Anthony

Felt like revisiting my "yute." You really can't read it quite the same way as an adult as you did as a kid. It's a good yarn, but you're so aware of how the stereotypes act to reinforce the "received notions" that support the English class system. Damn that liberal-leaning higher education!:)

Keely

There are a lot of Sea Stories out there, and this is one of the better-known, but it hardly outshines its genre. I found myself missing the humor and vivid characterization of Conrad, not to mention the insightful philosophical asides. I also found it somewhat lacking as an adventure story, as the plot was somewhat simplistic and contrived, following the empty avatar of a narrator through various vicarious thrills. There's nothing wrong with an escapist yarn, but a good one keeps you riveted with twists and turns, alternating verisimilitude and the unlikely. It's not as if it's a problem of period, either, since The Three Musketeers is one of the most rollicking and engrossing adventure stories ever written.One must take into consideration the fact that Treasure Island is one of those genre-defining works which has been rehashed and plundered by a thousand authors since, until it is ingrained in our culture as The representation of piratical life. Like Neuromancer, many of the tropes and plot points might seem unoriginal, but that's only because they have been copied so frequently that we are no longer capable of recognizing their origin.Yet, this isn't the case for all genre-defining works. The Virginian still stands out when compared with any other Western and The Moonstone remains unique despite all the Mysteries that have dutifully followed it. The difference is the author's verve and style, because even if later authors can copy his ideas, copying his style will prove beyond their skill. An author who is good enough to recreate another author's style already has a unique voice of their own.It's curious to compare this with Poe's sole outing in the novel, The Narrative of Arthur Gordon Pym of Nantucket, which has the voice and unpredictability Treasure Island lacks, but doesn't provide the same lilting tone or straightforward plot, leaving each as interesting artifacts in the genre, even if neither can claim to be a complete vision.But then, it is often incomplete visions that provide the greatest inspiration, since they illuminate flaws and pitfalls, providing an outline for later authors and a caution of what should be avoided. Few people have come away from a book they couldn't possibly outdo feeling inspired to create, whereas reading a flawed but entertaining book can be the perfect jolt to a prospective author. But then, a book that inspires other authors to write could hardly help being the influential anchor from which the rest of a genre depends, so such flaws end up serving a purpose, if inadvertently.What drew me to this book, more than anything, is my desire to understand the unique literary mind of Mervyn Peake, one of the most powerful authors in the English language. Peake often invoked this as a favorite book, and produced a powerful series of illustrations for it. In these illustratios, one begins to see what Peake took away from Stevenson, as an author.While this is, to some degree, a story about simple characters, particularly the narrator, it is also a very dark tale, particularly for a children's classic. The death and deceit of the tale come out in Peake's drawings, as does the grotequerie.This darkness is undeniably there, but truthfully, I barely noted it until I looked at Peake's vision. To some degree, Sea Stories always bear this kind of horror, a world of conflict, the unforgiving sea, headhunting cannibals, and death a cheap thing. Poe and Conrad each outdo Stevenson in unsettlement, but in different ways.Poe's tends to be more purely visual, as is always his obsession in writing. It is the languid, lingering description that Poe gives to the leering face of a gull-bitten corpse that drives home the darkness of this life.Conrad, on the other hand, gives us horror in the eyes of his characters. He doesn't shy away from the pure physicality of the unpleasant world, but where it lingers is in the mind's eye; visions which can never be erased, which will forever taint our everyday actions.But Stevenson gives us neither. His adventure tale holds plenty of fear, but when young Jim murders a pirate, gruesome as it is, it rarely lingers either as vignette or psychological crack. Of course, he had a different notion of the maturity of a ten-year-old than we do today, where childhood lasts into the twenties, but we don't get the psychological progression we expect from a man coming to terms with death.These moments and reflections are not entirely absent, but they tend to get lost in the fleeting, episodic style of the story. But I'm glad for Treasure Island, if only because it inspired Peake to expand upon this tale of a precocious boy drawn inexorably into a dark world of grotesque characters in his unfinished magnum opus, the Gormenghast series.

Alejandro

YO-HO-HO AND A BOTTLE OF RUM!!!This is the iconic novel about pirates that it stands as the best example in this topic and easily one of the most adapted to other media novels in any genre.I can remember having watched several adaptations, live action films, animated movies, even an animated film using animals as the characters, there is the Muppets' one, a Japanese anime TV series, an European mini-series taking the story to outer space starring Anthony Quinn, the animated remake of that version by Disney and the current Starz channel prequel TV series "Black Sails". Just to mention the ones that I have watched but there are a lot of more adaptations.While the topic of pirates is a popular one, I think that there aren't much novels about it. At least not examples really worthy of reading them. Obviously there are some here and there, but taking in account how much options one has in other topics in literature, pirates has been a concept seldom touched with success.However, this novel was able to keep on the mind of everybody the storytelling appeal of the topic of pirates inspiring successes on other media such as Japanese anime "Captain Harlock" and live actions films of "Pirates of the Caribbean".For all that and its own merit, Treasure Island keeps retaining the crown as the best novel about pirates. Characters like Jim Hawkins, Billy Bones, Ben Gunn, Captain Smollett and of course, Long John Silver have become iconic in the universe of literature. Even they have been so admired that other authors couldn't resist to makes homages/mentions of them on their own novels, such examples like on Peter Pan.Its appealing is obvious depending the readers, many young ones can't resist to be amazed by Jim Hawkins who is 14 years old but he is able to keep up in the middle of adult characters and even being a key character in the success of the adventure.To readers and writers of all ages, certainly the character of Long John Silver stands out as one of the best developed characters in the history of literature becoming a model to many following similar ones. He is able to do ruthless things but he has a code, he has limits, and not matter that he is not a nice person, there are things that he never will do and for that, he is a complicated and truly interesting character to read about.Not matter how was on real life, Robert Louis Stevenson, the author, was able to show a romantic picture of pirates' world with now iconic elements like islands with treasures, maps with "x"'s, fearful papers with a black spot, peglegs, eye patches, parrots on shoulders, but above all, he had no doubt to show how dangerous and murderous can be real pirates.

Amy

I read this book alongside my son, who had been assigned Treasure Island for summer reading. While not necessarily the kind of fiction I typically choose, it was certainly entertaining, however, there *were* large paragraphs here and there I barely paid attention to--paragraphs that were filled with boatswains and coxswains and larboards and mizzenmasts and other such words that mean nothing to me (hypothesis 1: Stevenson was paranoid about being "unauthentic" so he had to throw this stuff in to be convincing....hypothesis 2: some people care about coxswains and larboards...but I don't). I tried to enjoy the lush descriptions of things for which I already had clear mental images of, but couldn't quite do it, but it's not Stevenson's fault that I have had access to many -a-visual-image of such locales as deserted pirate-y islands....Silver's character is, in my opinion, the only one of true interest (and "you can lay to that"), as most others lack the three-dimensional qualities of real people we know. Long story short, if you didn't read this as a kid, it might be a fun summer read--but you aren't missing anything important....Interesting note: the other book Isaac was assigned this summer was To Kill A Mockingbird--we read that one first (it was obviously a reread for me...) and then Treasure Island--putting these two stories together in the same conversation, *did* pique my interest a little more. I ended up drawing some interesting comparisons between Jim and Scout, and about the events that they encounter...food for thought...

Joseph

Long John Silver is a classic character. He'll murder in cold blood minutes before giving a warm reception and he'll mean both. He's a cold calculator with his eyes on the prize but he wears his greed and affection on his sleeve. He's the perfect picture of the charming knave and throughout this story of pirates and treasure you're never sure if you should be rooting for or against him.Fortunately, this tale is so much adventurous fun that you won't spend too much time psychoanalyzing pirates. The plot is dynamic and well paced and there's plenty of action and humor along the way. The characters, aside from Silver, are less important than the story, but all show distinct enough traits to help you keep track of who's who on a large crew.This tale does suffer from some cliches and incomprehensible sea-speak. And the final 1/3 is a bit light in terms of drama and satisfying resolution (the climax comes almost exactly in the middle.) But hey, this is the tale that popularized 'yo ho ho,' pieces of eight, peg-legs and talking parrots and X marks the spot. It's well worth a read just for the references.

Jacob

I'm not big on classics, but this book has started to alter my opinion. Treasure Island is an exciting tale of a young boy named Jim Hawkins on an adventure to find treasure to help support him and his mother. His father is dead, and it's just him and his mother, but then he finds a treasure map, and his life will change forever. They find a ship and crew, and all is going well until they run into pirates.The things I didn't like was that it was a little slow at the beginning like most classics. In classic novels, the author s are descriptive about everything, even when it's redundant. There's not alot of this book that I don't like.There are more good things than bad regarding this book. The storyline is really exciting because once they find the chest and the map, they ball gets rolling and the book gets exciting. It's not a terribly long book, but it's not short either, so it's just the right size.

Melissa Rudder

Even though Treasure Island might be Robert Louis Stevenson's most famous work (it's in a close race with Dr. Jekyll and Mr. Hyde), it is my least favorite of the three I've read. It is, of course, full of adventure and extremely significant in the way that it's influenced the cultural representation of pirates, but, while I wanted to know what was going to happen next, I never really felt for the characters. It was curiosity, not suspense, that kept me reading. Which is ultimately less fulfilling.I imagine that Stevenson, who apparently came up with the tale of Treasure Island initially to entertain his stepson, made Jim Hawkins an undefined character so that readers could put themselves in his place. Jim, as far as I could tell, is void of any real defining character traits, aside from those that further the plot. He is curious enough to get into scrapes and courageous enough to survive them. I think if I could have cared for Jim as a person instead of one of those cartoon paintings that you stick your head in and take pictures of at the fair, I would have felt more invested and anxious about the tale's resolution. Most of the characters in Treasure Island are shadows, which does indeed make Long John Silver all the more interesting. Charismatic and fierce, he is an exciting villain. I actually wanted to join his side but I wasn't quite sure if I could trust him.I'm glad I've read Treasure Island. I feel bad that it has taken me so long to read a book that so heavily influenced the vision of pirates I know and love today. So, I suppose, if I'm recommending Stevenson books, I would say Treasure Island for cultural significance, Dr. Jekyll and Mr. Hyde for freaky Freudian psychology stuff, and, if my memory serves me correctly, Kidnapped for adventure and suspense.

Hollowspine

I have seen the movies, Muppet Treasure Island, that animated one where Ben Gunn is played by a nutty robot, but until I came across "Treasure Island!!!" by Sara Levine I never thought about actually reading the book. Then I thought, wouldn't it be fun if I, like the narrator of Levine's novel, read Treasure Island then of course read her book too. So that is what I did.First of all, I found it rather difficult to locate a copy of Treasure Island that was not illustrated and abriged for children. This seemed odd to me, I thought a classic like Treasure Island would be widely available for both adults and children. Like Frankenstein, which has multiple copies, some of the children's illustrated type and even more copies, with notes, forewarded by various people etc. etc. for adults. Not so with Stevenson's work. Although Dr. Jekyl and Mr. Hyde, like Frankenstein, seems to follow those expectations, Treasure Island it seems is only for kids.So, I read Treasure Island from the Collected Works of Robert Louis Stevenson, and I enjoyed the typewriter quality of the old printing, the slight smell of damp and the lovely red library binding. Reading Treasure Island was a good experience all around. I enjoyed the 'aged' book I was reading from, I was engrossed in Jim's adventures and loved some of the odd dialogues, epspecially between Ben Gunn and everyone else. Or the odd bits about cheese or salted goat. The conversations between the characters were chock-full of quoteable chunks and various things it was hard not to want to speak aloud.I did find the book engaging, exciting and at times very funny, but I haven't broken out the index cards yet. Or bought a parrot.

Greg

Loved it. The language of the characters is an important part of the book's magic in this gripping adventure story. In the Appendix, Stevenson himself explains how he developed the story. First he drew the map of the island, and having that he could visualise all the characters, locations, and weapons, "fighting and hunting treasure, on these few square inches of a flat projection." It is interesting that the narrator changes for a few chapters in the middle.After the fact I would have preferred not to have read the Introduction by graduate professor of American literature John Seelye before reading Treasure Island. Academics defining an Author's influences before I've read a book sort of deflates the magic for me. I would have preferred it at the back of the book. Stories where the main subject or character is 'an old man who has spent his whole life with the sea' seems to have a great attraction and a timeless appeal. Three examples are Long John Silver, Doc from Cannery Row, and Santiago, in The Old Man and the Sea by Hemingway.I certainly intend reading Treasure Island again.

Kirstine

This is a neat little tale of adventure, piracy, hidden treasure, mutiny and heroics. All in all, good stuff. I wish I had read it as a kid, I’m pretty sure I would have loved it – the same way I loved The Mysterious Island, because it’s all about adventure. Nothing beats that when you grow up in a tiny village in the middle of nowhere, with few friends and mostly your brother for company. Some tales are also simply better when you’re a child, because you’re less critical, making you more susceptible to the apparent grandeur of piracy and less attentive when it comes to small things (such as the fact that it’s too short to have many ‘small things’).It’s a perfectly enjoyable story, and I’m definitely reading it to my kids when that day comes, but reading it on my own I was a little underwhelmed. I suspect I expected a little more sense of adventure, because when it all came down to it, it all felt very orderly, like it was a gentlemen’s adventure, and god forbid they use dirty tricks, we’ll leave that to the filthy, mutinous pirates. It wasn’t very… swashbuckling. I do believe, however, that my real problem is with the length. It’s like The Hobbit, it could have used another 100 pages to draw everything out a little bit. It all went a little too fast, and when the climax came it was too little too soon. I also committed the folly of seeing the Disney film “Treasure Planet” (based off this novel) before reading it, and that’s got plenty of (steampunk) swashbuckling, so perhaps I merely placed my expectations too high or in the wrong place. Either way, this is still a classic in the genre and does have memorable characters – especially Silver, with his moral ambiguity and shifting loyalties – and an imaginative setting and plot. I imagine reenacting it in my garden might add the thrill I felt it lacked. Worth a try.

yellowbird

I read books more than once, and it's strange sometimes how my opinion of the book will change as I get older. I reread this book recently (twenty-something years after reading it the first time) and expected to feel nostalgic and ho-hum about the whole thing. Instead, I got sucked into the story just like I did the first time.The main character, Jim, is a very believable person. Unlike characters in a lot of modern fiction, Jim doesn't have any major flaws that he has to work through in the course of the book. He's an ordinary kid, involved in extraordinary events,and that's pretty much it. I found this very refreshing.The story itself is a standard adventure tale. Jim and his mother run an inn that has one very odd tenant that they can't seem to get rid of. He's overdue on his rent, he's cranky, blasphemous, a drunk and apparently owes some dangerous looking people a lot of money. All in all, they'd rather see him gone. While they're trying to work up the nerve to tell the old wreck to get out, a strange visitor comes to the house, gives the old man a paper, and leaves. Their tenant promptly keels over dead. While going through the old man's belongings in search of money to pay his overdue tab, Jim and his mother are interrupted by a group of dangerous men who break into the inn, intent on stealing something very valuable that belonged to their tenant - a pirate's treasure map.Full of pirates, intrigue, danger and general adventure, this book is an easy, satisfying read. Not bad for a story first published in 1883.

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